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http://responsibleartmarket.org/wp/wp-content/uploads/2020/01/Guidelines_FinalVersion_24.01.2020.pdf
— The authentication process typically begins with a comparative analysis of a given work of art against works that have already been positively attributed to the artist in question. A typical com-parative analysis may include the following steps: Analysis of the style and iconographic analysis
https://artlawfoundation.com/site/wp-content/uploads/2019/10/Guidelines-Expertise-draft-Task-Force-23.10.2019.pdf
committees, foundations and authentication boards. In this context, Experts may be required to establish whether a work is by a specific artist or not, or identifying the artist of a work. Other persons involved in the art market (including but not limited to dealers, auction houses,
http://responsibleartmarket.org/guidelines/guidelines-for-experts-authenticating-works-of-fine-art/
The Guidelines are intended for any person who is asked to provide an analysis or expertise on a work of fine art (the “Expert”), including but not limited to: independent Experts, living artists, artists’ heirs, committees, foundations and authentication boards. In this context, Experts may be required to establish whether a work is by a specific artist (or not), or identifying the artist of a work.
http://authenticationinart.org/pdf/guidelines/education-guidelines-2016.pdf
Authentication in Art Congress. The Guidelines are the intellectual property of the Foundation Authentication in Art – 2016© These Guidelines are free to use, but please refer in a note to the Title and the URL of the Guidelines. 1. Authentication in Art Congress The Hague, the Netherlands May 11-13, 2016. Work Group Education.
http://responsibleartmarket.org/wp/wp-content/uploads/2020/01/RAMs-Guideline-for-Experts-Authentification-Works-of-Fine-Art-and-other-updates.pdf
The RAM Guidelines for Experts authenticating works of fine art. Guideline 1 –Qualifications of the Expert. •Self-assessment & proof of qualifications •Understanding of the possibilities and limitations of the analysis •Assignments within the Expert’s scope of competence.
https://authenticationinart.org/aia-past-events/aia-2020/
Authentication in Art invites submissions of proposals of 500–700 words (up to 3000 characters) for oral presentations, to be given at the AiA conference 16-17 September, 2020, read more. Initial preparations for the AiA 2020 Congress: Developing Guidelines on Scientific Protocols. The AiA Workgroup on Scientific Protocol will be developing best practices and standardized protocols for authentication research based on the ‘Universal Rules Authentication …
https://theartling.com/en/artzine/art-authenticate-appraise/
For older works by more established artists, provenance can also confirm an artwork’s authenticity through its past ownership. Good provenance provides an undoubted assurance that the work of art is genuine and produced by the artist that is stated, and should always bear their signature.
https://www.art-mine.com/collectorscorner/authenticating-an-artwork/
Jul 27, 2018 · Whenever authenticity is at issue, only conclusive statements of authorship from a RECOGNIZED or QUALIFIED expert on the art or artist in question are acceptable, not informal statements, opinions or offhand price estimates from anyone who happens to buy or sell or appraise or otherwise transact in occasional works by the artist in question.”
https://www.newsmax.com/PatriciaPierce/art-gallery-authentication-christies/2014/03/11/id/558787/
Mar 11, 2014 · Comment . Contact . Print . A A. An increasing number of artist foundations and scholars refuse to give definitive authentication opinions or publish authoritative catalogue raisonnés because they fear being sued by sellers and buyers who might become disgruntled with their conclusions and omissions. Bribes, death threats, and lawsuits plague the authenticating world, but despite all of that, important artist estates that have ended authenticating …
https://www.cof.org/content/foundation-basics
A private operating foundation is a kind of private foundation and must operate under similar rules. However, it does not have to pay out 5 percent or more of its assets each year in grants. Instead, it must carry out its own charitable purposes. All private foundations are 501 (c) (3) organizations.
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