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Felix Nadar, Charles Baudelaire in an Armchair, 1855, Musee d’Orsay * The two had been joined in a prior death that inspired an artistic work: the suicide of Manet’s model found in the artist’s studio was the basis for Baudelaire’s poem “La Corde” (The Rope), which appeared in Petits poèmes en prose.
https://fleursdumal.org/poem/199
La Mort des artistes (The Death of Artists) by Charles Baudelaire La Mort des artistes Combien faut-il de fois secouer mes grelots Et baiser ton front bas, morne caricature?
https://www.britannica.com/biography/Charles-Baudelaire
Charles Baudelaire, in full Charles-Pierre Baudelaire, (born April 9, 1821, Paris, France—died August 31, 1867, Paris), French poet, translator, and literary and art critic whose reputation rests primarily on Les Fleurs du mal (1857; The Flowers of Evil), which was perhaps the most important and influential poetry collection published in Europe in the 19th century.
https://www.theartstory.org/influencer/baudelaire-charles/
Charles Baudelaire and Important Artists and Artworks The Death of Marat (1793)Nationality: French
https://newrepublic.com/article/141623/death-flaneur
Mar 27, 2017 · Death to the Flâneur ... The flâneur emerged from the imagination of Charles Baudelaire. In his 1863 essay, “The Painter of Modern Life,” Baudelaire eagerly proposes an ambulatory figure he ...
https://www.biography.com/writer/charles-baudelaire
Apr 12, 2019 · Baudelaire died on August 31, 1867 in Paris.
https://www.poetryfoundation.org/poets/charles-baudelaire
Charles Baudelaire is one of the most compelling poets of the 19th century. While Baudelaire’s contemporary Victor Hugo is generally—and sometimes regretfully—acknowledged as the greatest of 19th-century French poets, Baudelaire excels in his unprecedented expression of a complex sensibility and of modern themes within structures of classical rigor and technical artistry.
https://arthistoryunstuffed.com/baudelaire-art-criticism/
Aug 13, 2010 · Baudelaire’s silence and withdrawal are interesting. On one hand, one could speculate that the writer was confounded by the death of Romanticism, but, on the other hand, he had been on the cutting edge by predicting the coming of an art that demanded contemporary subjects.
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