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https://en.wikipedia.org/wiki/Isaac_Mendes_Belisario
Isaac Mendes Belisario (1795 – 1849) was a Jamaican artist of Jewish descent. He was active in Kingston, Jamaica around the time of the Emancipation. His painting and printing work provides an eye-witness document of life in Jamaica of the time. He is one of the earliest artists who took a Jamaica-centric approach to the island's culture.Authority control: BNF: cb159662417 (data), …
https://www.jewishlivesproject.com/profiles/isaac-mendes-belisario
Jamaican Artist and Printmaker The first documented Jamaican-born artist, Isaac Mendes Belisario was working in Kingston, the island’s capital, at the time of the abolition of slavery. He was a member of Jamaica’s Sephardi merchant class and his pictures provide a vivid portrait of life during a period of radical transformations triggered by emancipation.
https://www.experiencejamaique.com/fr/node/1080
Jamaican Artist: Belisario (1775-1849) On the walls of homes and buildings in Jamaica today are prints by Isaac Mendes Belisario. His depictions of characters in the seasonal masquerade tradition of ‘Jonkonnu’ or ‘John Canoe’ created between 1837-38.
https://news.jamaicans.com/isaacmendesbelisario-03062008-36/
Mar 28, 2008 · The Jewish Jamaican painter Isaac Mendes Belisario (1795-1849) was an artist whose paintings and engravings of Jamaica provide an invaluable insight into the social realities of slavery at a pivotal moment in Jamaican history. Working in times of change and rebellion, his images record the cultural responses of the enslaved and emancipated, the ...Estimated Reading Time: 3 mins
https://www.pinterest.co.uk/caribbeanstory/isaac-mendes-belisario/
Oct 25, 2014 - Isaac Mendes Belisario - 1795-1849. Jamaican-born artist. He was active in Kingston around Emancipation and his work, in paint and in print, provides a rich document of life in Jamaica. See more ideas about jamaica, jamaicans, artist.7 pins
http://www.nlj.gov.jm/BN/Belisario_Isaac/bn_belisario_im_0011.pdf
Perhaps one of the last works by Belisario was his painting of the famous actress Ellen Ke~, in 1832. Not long after its completion he left London, sailing for Kingston, Jamaica - aplace he most likely chose because he had close relatives there. Once settled, he made himself known as a very competent landscape painter,
https://britishart.yale.edu/publications/art-and-emancipation-jamaica-isaac-mendes-belisario-and-his-worlds
Dec 05, 2007 · It provides new perspectives on art, music, religion, and performance in Jamaican society and highlights the role of artistic culture in the resistance mounted by the enslaved. Through its central figure, Jewish Jamaican artist Isaac Mendes Belisario (1795–1849), the book also offers new insight into the Jewish diaspora in the Caribbean.
https://aparcelofribbons.co.uk/2013/06/belisario-a-great-jamaican-artist/
Jun 16, 2013 · Belisario captured the event in three dramatic lithographs and a map of the area affected by the fire, on which he collaborated with Adolphe Duperly. Some time after this, Belisario left Jamaica for the last time and he died at his sisters’ home in Lower Clapton on the 4th of June 1849.
https://thatsinkedup.blogspot.com/2013/11/happy-jamaican-slaves-via-prints-of.html
Nov 16, 2013 · Isaac Mendes Belisario (1795-1849), has been described as the first documented Jamaican artist, but he was raised for a time in London, studied art and then worked as a stockbroker before returning Kingston, Jamaica, (a British colony) in the early 1830s. He became a well-known artist, painting landscapes and state portraits of important colonial residents, but he also made prints about …
https://www.experiencejamaique.com/key-moments-jamaican-art-scene-development-history-4
Belisario was of Portuguese Jewish origin and had all the technical facility needed to become quite an established artist in the island. The technical adeptness of his prints and skill in painting the landscape and society of the time have allowed great insight into both the ruling groups and the oppressed groups in the society during this period.
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