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https://en.wikipedia.org/wiki/Bernard_Herrmann
Between two films made by Orson Welles (see below), he wrote the score for William Dieterle 's The Devil and Daniel Webster (1941), for which he won his only Oscar. In 1947, Herrmann scored the atmospheric music for The Ghost and Mrs. Muir. In 1951 his score for The Day the Earth Stood Still featured the Theremin .Children: 2
https://www.allmusic.com/artist/bernard-herrmann-mn0000760240/discography
71 rows · Find Bernard Herrmann discography, albums and singles on AllMusic AllMusic. New …
https://www.allmusic.com/artist/bernard-herrmann-mn0000760240/biography
Bernard Herrmann was arguably the most innovative film composer of the 1940s, '50s, and '60s, even though he actually rejected the term "film composer," preferring to call himself a composer who sometimes wrote film scores. That was an apt description for a musician who, in addition to his film work, also composed works in a variety of other forms including opera, symphony, musical comedy, and ...
https://rateyourmusic.com/artist/bernard_herrmann
Bernard Herrmann started his career in the American film industry with the score for Orson Welles' Citizen Kane (1941) and died a few hours after he finished recording the music for Martin Scorsese's Taxi Driver (1976) in Los Angeles. He was one of the first artists who introduced elements of Americana into film scores and distanced from the works of European colleagues that followed the classic approach.
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