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https://www.artble.com/artists/gian_lorenzo_bernini/more_information/style_and_technique
Gian Lorenzo Bernini. Bernini, perhaps more than any other artist of the time period, was responsible for defining the Baroque style of sculpture. His works are fraught with emotion and tension, achieving a hitherto unseen level of life-like action. Whether in his sculpture, architecture, or multimedia works, Bernini's pieces can always be recognized by their minute attention to detail, grandiose theatricality, …
https://www.theartstory.org/artist/bernini-giovanni-lorenzo/
Summary of Giovanni Lorenzo Bernini. Passion, above all else, ruled Italian sculptor and architect Giovanni Lorenzo Bernini. His extreme religious piety combined with a lifelong study of the sculptural form led to the introduction of a dynamic and exuberant style, focused on emotional expressionism, which perfectly embodied the Baroque period.Nationality: Italian
https://www.artble.com/artists/gian_lorenzo_bernini
Bernini's sculptures are recognizable for their engaging drama, dynamism, tension, texture, and naturalism. The last two criteria (texture and naturalism) are perhaps the most particular to Bernini: no one can make stone convey soft skin, curling hair, or crinkling fabrics the way Bernini can.
http://www.gianlorenzobernini.org/sculptures/
Gian Lorenzo Bernini is credited by many as having developed the Baroque style of sculpture. Whilst not regarded in the same terms of Da Vinci or Michelangelo, he shared their exceptional ability to work across different disciplines and continue to keep a high standard throughout. Sculpture was Bernini's most significant field, with significant contributions also coming in painting, architecture, drawing and …
https://blogs.cuit.columbia.edu/maf2219/berninis-baroque-2/
Working for the Borghese family, Bernini created and exemplified the style and rhetoric of Baroque artists, even before he began his work for the church. His sculptural finesse and emotional power not only set the bar for every baroque artist to come, but gave the Church the genre it …
http://www.metmuseum.org/TOAH/HD/bern/hd_bern.htm
A series of over-lifesize marble statues commissioned by Cardinal Scipione Borghese for his villa in Rome announced Bernini’s novel style and established his role as the foremost sculptor in Italy. One of these works, the Apollo and Daphne (1622–24; Galleria Borghese, Rome), illustrates the typically Baroque theme of metamorphosis.
https://www.theartstory.org/artist/bernini-giovanni-lorenzo/life-and-legacy/
Bernini's first mature sculpture was of Saint Lawrence, completed in 1617. It was described as an "act of pious devotion" to his patron saint and showcased the importance of religion and the theme of devotion, which continued throughout his artistic career.
https://courses.lumenlearning.com/zeliart102/chapter/berninis-david/
Well, in the Baroque era we see compositions in the shape of diagonal lines, as in Bernini’s David. The diagonal line immediately suggests movement and energy and drama—very different from the immobility of the pyramid shape! Figure 3. (left) Donatello’s David; (right) Michelangelo’s David
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