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https://www.moma.org/artists/5102
Oct 21, 2019 · In Betye Saar’s work, time is cyclical. History and experiences, emotion and knowledge travel across time and back again, linking the artist and viewers of her work with generations of people who came before them. This is made explicit in her commitment to certain themes, imagery, and objects, and her continual reinvention of them over decades.
http://www.artnet.com/artists/betye-saar/
Betye Saar is an American artist known for assemblage and collage works. With a found-object process like that of Joseph Cornell and Robert Rauschenberg, Saar explores both the realities of African-American oppression and the mysticism of symbols through the combination of everyday objects.Nationality: American
https://www.artsy.net/artist/betye-saar
Inspired by Joseph Cornell’s assemblages and Simon Rodia’s Los Angeles monuments, the Watts Towers (made from found scrap materials), Betye Saar’s …Nationality: American
https://www.theartstory.org/artist/saar-betye/artworks/
With Mojotech, created as artist-in-residence at the Massachusetts Institute of Technology, Saar explored the bisection of historical modes of spirituality with the burgeoning field of technology. The resulting work, comprised of a series of mounted panels, resembles a sort of ziggurat-shaped altar that stretches about 7.5 meters along a wall.
https://www.theartstory.org/artist/saar-betye/
Betye Irene Saar was born to middle-class parents Jefferson Maze Brown and Beatrice Lillian Parson (a seamstress), who had met each other while studying at the University of California, Los Angeles. She is of mixed African-American, Irish, and Native American descent, and had no extended family.Nationality: African-American
https://behindthescenes.nyhistory.org/betye-saar/
Mar 02, 2019 · Betye Saar (b. 1926). Extreme Times Call for Extreme Heroines, 2017. Courtesy of the artist and Roberts Projects, Los Angeles, CA . Betye Saar (b. 1926). Liberation (washboard), 2014. Courtesy of the artist and Roberts Projects, Los Angeles, CA. The stereotypical and cartoonish Jim Crow-era mammy in Liberation (washboard) (2014) now holds a rifle.
https://www.themorgan.org/exhibitions/betye-saar
Jan 29, 2020 · Los Angeles–based artist Betye Saar (b. 1926) emerged in the 1960s as a major voice in American art. Part of a wave of artists, many of them African American, who embraced the medium of assemblage, she is known best for incisive collages and assemblage sculptures that confront and …
https://www.cbsnews.com/news/assemblage-artist-betye-saar-making-the-ordinary-extraordinary/
Feb 23, 2020 · But the woman, artist Betye Saar, described herself as, "I'm just a girl that made art and was happy making it and loves making it." Saar is being extremely modest.
https://www.theguardian.com/artanddesign/2018/oct/30/betye-saar-art-exhibit-racism-new-york-historical-society
Oct 30, 2018 · Betye Saar’s Supreme Quality. Photograph: Kris Walters/Courtesy of the artist and Roberts Projects, Los Angeles, CA The exhibit includes Extreme Times Call for …
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