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https://www.archives.gov/research/african-americans/black-power/arts
Jun 11, 2020 · Black Arts Movement (1965-1975) The Black Arts Movement was a Black nationalism movement that focused on music, literature, drama, and the visual arts made up of …Estimated Reading Time: 7 mins
https://www.blackpast.org/african-american-history/black-arts-movement-1965-1975/
Mar 21, 2014 · The Black Arts Movement was the name given to a group of politically motivated black poets, artists, dramatists, musicians, and writers who emerged in the wake of the Black Power Movement. The poet Imamu Amiri Baraka is widely considered to be the father of the Black Arts Movement, which began in 1965 and ended in 1975.Estimated Reading Time: 3 mins
https://www.britannica.com/event/Black-Arts-movement
Black Arts movement, period of artistic and literary development among black Americans in the 1960s and early ’70s. Read More on This Topic African American literature: The Black Arts movement The assassination of Malcolm X, eloquent exponent of Black nationalism, in 1965 in New York and the espousal of “Black Power” by previously...
https://poets.org/text/brief-guide-black-arts-movement
With roots in the civil rights movement, Malcolm X and the Nation of Islam, and the Black Power movement, the Black Arts movement is usually dated from approximately 1960 to 1970. Both the Black Power and Black Arts movements were responses to the turbulent socio-political landscape of the time.
https://www.poetryfoundation.org/collections/148936/an-introduction-to-the-black-arts-movement
The Black Arts Movement was politically militant; Baraka described its goal as “to create an art, a literature that would fight for black people's liberation with as much intensity as Malcolm X our ‘Fire Prophet’ and the rest of the enraged masses who took to the streets.”
https://www.britannica.com/art/African-American-literature/The-Black-Arts-movement
The assassination of Malcolm X, eloquent exponent of Black nationalism, in 1965 in New York and the espousal of “ Black Power ” by previously integrationist civil rights organizations such as the Student Nonviolent Coordinating Committee (SNCC) and the Congress of Racial Equality (CORE) helped to galvanize a generation of young Black writers into rethinking the purpose of African American art.
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