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Genres: History: BMI and Latin Music BMI.com

    https://www.bmi.com/genres/entry/history_bmi_and_latin_music
    BMI’s roster includes hit songs by such foreign-affiliated artist/writers as Rosalía, Horacio Palencia, Chino y Nacho and Cazzu, to name just a few. BMI has represented Latin composers, publishers and compositions since its earliest days, including classic popular songs from the 1940s like “Tico Tico” and “Besame Mucho,” to “Guantanamera,” popularized in 1967 by the “Queen of Salsa,” Celia Cruz.

About BMI History BMI.com

    https://www.bmi.com/about/history
    BMI marks its 70th anniversary, continuing to fulfill the mission set forth by BMI’s founding broadcasters when they proclaimed in 1940: “BMI gives to American music a freedom for creative progress that it has never had before.” BMI moves New York City headquarters to 7 World Trade Center.

Broadcast Music, Inc. - Wikipedia

    https://en.wikipedia.org/wiki/Broadcast_Music_Incorporated
    Thus, despite its original motivation regarding radio station royalties and its focus on radio station revenues vs artist revenues, BMI became the first performing rights organization in the United States to represent songwriters of blues, jazz, rhythm and blues, gospel (black genres, performers, and writers that ASCAP did not want to represent), country, folk, Latin, and—ultimately—rock and roll. …Type: Not-for-profit

ASCAP BMI War - History of Rock

    https://www.history-of-rock.com/ascap-bmi-war.htm
    During the 1940s and 1950s, BMI was the primary licensing organization for Country and R&B artists, while ASCAP centered on more established Pop artists. ASCAP tried to destroy the solidarity between networks, their affiliates and independent stations by placing the greatest financial burden on the networks and offering reduced rates.

MUSC notes.docx - MUSC 2150 Unit 1 Approaches to Popular ...

    https://www.coursehero.com/file/80744424/MUSC-notesdocx/
    During the 1940s and 1950s, BMI was largely an organization of independent labels and artists, while ASCAP was an organization of major labels and artists. Prior to 1940, most of the music represented by BMI would be heard only on regional radio stations, not national networks. In 1940, a brief spat between ASCAP and the national radio networks ...

Music 205 Test Flashcards Quizlet

    https://quizlet.com/154452947/music-205-test-flash-cards/
    Licensing companies ASCAP and BMI collected royalties, controlled profits ... BMI represented country and R&B artists. Television. Profound effect on American culture By mid-50s, an important medium for musicians. Recordings. From sheet music to recordings Growth in sales supported by booming postwar economy ... echo delay etc. in the 1940s and ...

Jazz History: The Standards (1940s)

    https://www.jazzstandards.com/history/history-4.htm
    By the 1940s these groups, spearheaded by musicians like Art Tatum, Charlie Parker, Dizzy Gillespie , Thelonious Monk and Coleman Hawkins, were exploring the harmonic frontiers of popular song. …

1940s in music - Wikipedia

    https://en.wikipedia.org/wiki/1940s_in_music
    Bing Crosby was the best selling pop artist of the 1940s. Ragtime can be described as the first truly American music genre and it remained popular for over 20 years. After its best-known exponent, Scott Joplin, died in 1917, the genre faded. As the 1920s unfolded, jazz rapidly took over as the dominant form of popular music in the United States.

1940's Artwork and Artists Our Pastimes

    https://ourpastimes.com/1940s-artwork-and-artists-12547893.html
    Sep 15, 2017 · Mark Rothko was born in Russia and came to the U.S. in 1913. Largely self-taught, he was greatly influenced by the surrealist movement, typified by artists such as Salvador Dali, but by the latter part of the 1940s he began delving into abstract expressionism.

7 Major Painting Styles, From Realism to Abstract

    https://www.thoughtco.com/art-styles-explained-realism-to-abstract-2578625
    Nov 15, 2019 · Henri Matisse - Dishes and Fruit [1901]. Gandalf's Gallery/Flickr. The Painterly style appeared as the Industrial Revolution swept Europe in the first half of the 19th century. Liberated by the invention of the metal paint tube, which allowed artists to step outside the studio, painters began to focus on painting itself.

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