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https://www.nettime.org/Lists-Archives/nettime-l-0310/msg00192.html
best, Brian *** Artistic Autonomy and the communication society Among my various collaborations with Bureau d'Etudes there is this one-off journal or fanzine called "Artistic Autonomy - and the communication society".
https://www.tandfonline.com/doi/abs/10.1080/0952882042000284952
Artistic autonomy and the communication society Full Article Figures & data; ... Privatising Culture: Corporate Art Intervention since the 1980s, Verso ... forthcoming in English as The New Spirit of Capitalism, Norton, New York, 2005; Brian Holmes, ‘The Flexible Personality: For a New Cultural Critique’, in Hieroglyphs of the ...Cited by: 11
https://www.wdka.nl/programmes/fine-art
Art critic Brian Holmes beautifully describes self-directedness as an attitude in relation to others: "Autonomy means giving yourself your own law. But men and women are social beings; we exist as ‘ourselves’ only through the language of the other, through the sensations of the other; and what is more, this shared language, these transiting ...
https://www.academia.edu/9110200/Art_and_Anti_Politics_Experiments_in_Collective_Autonomy
For more information, see http://www.prelomkolektiv.org/eng/PPYUart.htm (accessed 3 July 2014). 14 Brian Holmes, "Artistic Autonomy and the Communication Society", p. 101. 15 For an early articulation of the anarchist vision of the liberty of each individual forming the liberty of the collective, as well as the radical mutuality of liberty, we can refer to Mikhail Bakunin: "I am free only when all …
https://gold.rl.talis.com/items/13226D52-4FF6-952A-2B4F-3644898BB9AE.html
Art and Politics 1: Theory History Event (Autumn Term) Section: Week 2 Autonomy/Democracy 1 Next: Autonomous Spaces of Deregulation and Critique... Previous: Art and Occupation: Claims for an Autonomy of Life
http://subsol.c3.hu/subsol_2/contributors3/holmestext.html
Brian Holmes Basically, what I have to say here is simple: when people talk about politics in an artistic frame, they're lying. Indeed, the lies they tell are often painfully obvious, and worse is the moment when you realize that some will go forever unchallenged and take on, not the semblance of truth, but the reliability of convention.
http://www.realtimearts.net/article/issue74/8160
In recent times I have taken leave without pay in the need for artistic autonomy—to be independent of the institution and its rapid transformation into a business. This has been my ‘strategy of freedom’ that François Deck articulates: a way of removing myself from the economic function of the institution (in Brian Holmes' Artistic Autonomy and the Communication Society).
https://www.tandfonline.com/doi/abs/10.1080/13688790308118
Artistic autonomy and the communication society. Brian Holmes. Third Text. Volume 18, 2004 - Issue 6. Published online: 6 Aug 2006. Article. The scenography of suicide: terror, politics and the humiliated witness. Vikki Bell. Economy and Society. Volume 34, 2005 - Issue 2. Published online: 16 Aug 2006. Article.
https://www.e-flux.com/journal/art-and-the-cultural-turn-farewell-to-committed-autonomous-art/
4. For a Committed, Autonomous Art. Besides artistic production that is at the center of social movements (along with communication, critical theory, and self-organization, as we have seen), there is autonomous art—that is, art that is not created specifically to serve social movements or causes.
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