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https://www.theartstory.org/movement/die-brucke/
Progenitors of the movement later known as German Expressionism, Die Brücke formed in Dresden in 1905 as a bohemian collective of artists in staunch opposition to the older, established bourgeois social order of Germany. Their art confronted feelings of alienation from the modern world by reaching back to pre-academic forms of expression including woodcut prints, carved wooden sculptures, and "primitive" …
https://www.britannica.com/topic/Die-Brucke
Die Brücke, (German: “The Bridge”) organization of German painters and printmakers that from 1905 to 1913 played a pivotal role in the development of Expressionism. The group was founded in 1905 in Germany by four architectural students in Dresden— Karl Schmidt-Rottluff, who gave the group its name, Fritz Bleyl, Erich Heckel, and Ernst Ludwig Kirchner.
https://www.tate.org.uk/art/art-terms/b/brucke
Brücke. Brücke was a German expressionist group founded in Dresden in 1905 which developed a radical anti-traditional style characterised by vivid non-naturalistic colour and emotional tension. Ernst Ludwig Kirchner. Bathers at Moritzburg 1909–26. Tate.
https://www.theartstory.org/movement/die-brucke/artworks/
May 21, 2015 · Artist: Ernst Ludwig Kirchner. The charismatic center of Die Brücke, Ernst Ludwig Kirchner composed and printed their original group statement a year after their formation, championing in it their youth and claims of authenticity. The statement, seen here, was turned into a leaflet and distributed at the group's first exhibition.
http://www.ernstludwigkirchner.org/die-brucke/
Expressionism may never have happened were it not for the formation of the Die Brücke art movement in Dresden, 1905. The leaders of this forward-thinking artist collective included Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel and Karl Schmidt-Rottluff.
https://www.moma.org/collection/terms/15
The artists’ group Die Brücke was established in 1905, a moment that is recognized as the birth of Expressionism. The affiliated artists often turned to simplified or distorted forms and unusually strong, unnatural colors to jolt the viewer and provoke an emotional response. Its leading members were Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff.
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