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https://www.gettyimages.com/photos/vintage-berlin-cabaret
The Admiralspalast, 1912. Artist: Deutsch , Ernst. Revues, cabaret & variety shows Actress in the role of the 'Lorelei' from the revue 'Der Zug nach dem Westen' in the 'Theater des Westens' - 1926 -... Cabaret performer Will Hohne , a member of the Kabaret der Komickers Revue, doing his act in …
https://www.amazon.com/Berlin-Cabaret-Various-Artists/dp/B000005OM9
The artsy side of things took the vitality of cabaret and also gave the genre a second wind, and you get here such stalwarts as Ernst Busch, Lotte Lenya, and Marlene Dietrich. The Nazis, of course, closed all this down, since they often received and deserved the satirical scorn of cabaret. Some of the bright lights managed to escape.4.2/5(2)
https://literatureessaysamples.com/cabaret-and-the-history-of-berlins-cabarets/
Jan 25, 2019 · By performing at the Kit Kat Club and her specific lifestyle choices reflecting the cabaret itself, Sally Bowles and the performance of “Cabaret” represents the active fight against fascist politics rising in Berlin. Both “Money” and “Cabaret” from the film “Cabaret” are therefore the perfect example of a cabaret performance that subconsciously empowers its audience through giving them a sense of self …
http://guidetomusicaltheatre.com/shows_c/cabaret_essay.htm
THE GERMAN CABARET The cabaret of 1920's Berlin has become familiar to many through the hit musical Cabaret, Bob Fosse's highly atmospheric film, images of smoke-filled clubs, semi-naked women, and Marlene Dietrich as femme fatale Lola Lola in The Blue Angel. However, by the late 1920's the German cabaret, or Kabarett, was already nearing the end of its heyday, as political satire was played …
http://holocaustmusic.ort.org/resistance-and-exile/berlin-cabaret-in-exile/
German cabaret was celebrated for its political satire, which put cabaret artists at risk after 1933 when the Nazis suppressed any form of political criticism. Jewish composers, who dominated the cabaret scene, were particularly at risk, and many chose to flee for Paris where cabaret was still thriving.
https://alphahistory.com/weimarrepublic/weimar-cabaret/
Oct 04, 2019 · The audience at an upmarket Berlin cabaret, 1924. Cabaret was a form of live entertainment, popular in German society in the 1920s. Often depicted in art and film, Weimar cabaret became known for its colour, freedom and decadence. Cabaret performances often contained political ideas or undertones.
https://theculturetrip.com/europe/germany/berlin/articles/berlins-most-illustrious-decade-a-brief-history-of-weimar-culture/
May 18, 2017 · Provocative cabaret shows, excessive drug use, nights of hedonistic partying, open and same-sex relationships all took centre stage in Berlin. There were many strong women in the movement, with performers such as Marlene Dietrich and Anita Berber becoming icons of the time in their lifestyle, art and relationships.
https://www.britannica.com/art/cabaret
Imported from France about 1900, the first German Kabarett was established in Berlin by Baron Ernst von Wolzogen. It retained the intimate atmosphere, entertainment platform, and improvisational character of the French cabaret but developed its own characteristic gallows humour. By the late 1920s the German cabaret gradually had come to feature mildly risqué musical entertainment for the middle …
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