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Painted portraiture has been constrained by conventions in the history of art. Yet, now. in this century, an ordinary woman can paint herself. She is not the daughter of a painter. There is no reason to identify her as "someone". No reason to create a tribute with a painting. There is no art …
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https://vimeo.com/416449110
:: (retro)(intro)spection: moving past into the forward :: co-curators Maureen Forys and Jennie Hinchcliff interview Catherine Kumlin-Gamblin of Portland, OR about her artist book "I Promise Not To Get A Tattoo" on display in SFCB’s exhibition gallery.
https://www.pdx.edu/art-design/catherine-kumlin-robert-gamblin-endowed-art-practice-study-abroad-scholarship
As artists who were raised and educated on the west coast of America, Catherine Kumlin and Robert Gamblin fully appreciate the importance of travel in order to come face to face, rather than eyes to book or screen, with the history of art.
https://www.eventbrite.com/e/retrointro-artists-in-conversation-catherine-kumlin-gamblin-tickets-101759986860
Eventbrite - San Francisco Center for the Book presents (retro)(intro) Artists in Conversation :: Catherine Kumlin Gamblin - Wednesday, April 8, 2020 - Find event and ticket information.
https://sequoiagallerystudios.org/events/217-book-arts-with-catherine-kumlin/
About Catherine Kumlin: Catherine started learning bookbinding from Patty Grass in 1991. She was treasurer of the Oregon Book Arts Group and the workshop coordinator for the OBAG Focus Conferences. She has studied with Tim Ely and hosted a bone folder making workshop with Jim Croft.
https://www.artistsnetwork.com/artist-life/american-artist-studios-2009/
Dec 29, 2010 · Woodstock: Historic Studios in an Artists’ Community; Dianne B. and A. Van H. Bernhard: Dream Studios, Practical Function; Robert Gamblin and Catherine Kumlin: Shared Industrial Space; Sheila Delimont: Combining a Studio and a Gallery; Margaret E. Millard: Stretching the Budget for Furniture ; Jeff Allen: Building Your Own Dream Space
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