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https://courses.lumenlearning.com/suny-arthistory1/chapter/patronage-and-the-status-of-the-artist/
For artists in the period before the modern era (before about 1800 or so), life was really different for artists than it is now. In the Middle Ages and in the Renaissance works of art were commissioned, that is they were ordered by a patron (the person paying for the work of art), and then made to order. A patron usually entered into a contract ...
https://www.britannica.com/art/patronage-art
The patronage given by the popes to notable artists—e.g., Francia and Benvenuto Cellini—resulted in a fine and often lavish standard of design in their coins and medals. Similar patronage was shown by the noble houses of Ferrara, Mantua, Milan, and elsewhere, whose coinages from the 15th… Read More; East Asian performing arts
https://www.academia.edu/6437579/The_Relationship_Between_Patrons_and_Artists_in_the_Renaissance_Italy
Thanks to this change of status the relationship between patron and artist changed, giving to the latter more professional autonomy and contractual power, being able to offer an added value deriving from his skills and fame (Schroeder et al., 2010). As we said earlier, the Italian market was particularised.
https://en.wikipedia.org/wiki/Patronage
Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, arts patronage refers to the support that kings, popes, and the wealthy have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or church benefices, the business given to a store by a ...
https://www.bolles.org/uploaded/PDFs/academics/AP_AP/APEuro7._Social_Change_and_Continuity.pdf
the artist could be on the patron’s payroll for years. As well as individual patronage there was also corporate patronage. Guilds, monasteries, convents, and city councils frequently commissioned artists and sculptors. For instance, it was the Florence city council that commissioned Michelangelo to sculpt David which was then placed in the
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Indeed, Lorenzo was an artist in his own right, and an author of poetry and song; his support of the arts and letters is seen as a high point in Medici patronage. The Medici House Medici family members placed allegorically in the entourage of a king from the Three Wise Men in the Tuscan countryside in a Benozzo Gozzoli fresco, c. 1459.
https://www.nga.gov/features/slideshows/patrons-and-artists-in-late-15th-century-florence.html
The works in this tour date from the time of Lorenzo de' Medici, the Magnificent, whom Machiavelli called "the greatest patron of literature and art that any prince has ever been." Although Lorenzo himself commissioned relatively few major works, he was an …
https://blog.artweb.com/art-and-culture/the-role-of-an-artist/
Sep 18, 2020 · The artist’s role was to beautify the subject of each painting, making them appear more attractive, thinner, paler and more beautiful. These artists were making society seem more appealing, as well as beautifying individuals in a similar manner as Hollywood and the paparazzi do to this day. Political and societal change through revolutionary art
https://www.uwgb.edu/malloyk/lecture_6.htm
The artist could participate in the transformation of society by using visual images as an agent of social progress. Art could be a critical as well as a descriptive representation of life. 3 Types of Revolutionary Artists – Tries to make fundamental changes through direct attack of the persons, legal situation and social institutions that ...
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