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cheryl rydmark - goldsmith

    https://www.cherylrydmark.com/
    Currently celebrating 42 years as a metalsmith, Cheryl maintains a studio on the Mendocino coast, where she practices her craft in between kayaking, teaching and gardening. Her work can be found at the American Craft Council shows, the Philadelphia Museum of Art and Smithsonian Museum craft shows and fine galleries throughout the country.

Cheryl Rydmark Jewelry Artist Artful Home

    https://www.artfulhome.com/artist/Cheryl-Rydmark/8857
    There is a timelessness to Cheryl Rydmark's work. Inspired by the transitory and imperfect beauty in nature, she conveys her artistic vision with technical mastery and a delicate...

Information — cheryl rydmark - goldsmith

    https://www.cherylrydmark.com/info
    Resume Cheryl Rydmark April 1, 1953. Education 1978 - 1979 San Francisco State University 1975 - 1977 University of Minnesota 1973 - 1974 Minneapolis College of Art and Design. Interesting 1981-1982 Skywalker Art Glass Ignacio, CA Employment 1982-1983 VanCraeynest Inc. San Francisco, CA

Cheryl Rydmark Biography Telluride Gallery

    https://www.telluridegallery.com/artist/Cheryl_Rydmark/biography/
    Rydmark approaches her jewelry design through the discipline and experimentation of goldsmithing. With a very modern aesthetic and technical refinement she explores the poetic ess

Cheryl Rydmark – Patina Gallery

    https://www.patina-gallery.com/blogs/artists/cheryl-rydmark
    Anchored on the point of discovery, Cheryl Rydmark is compelled to create a poetic sense of the everyday in her jewelry collection. Her work is reminiscent of the beautiful bits of nature found in the curvature of a seaweed strand, the bold complexity of dew on a spider’s web and the asymmetric dance of the stars in a constellation.

Cheryl Rydmark Philadelphia Museum of Art Craft Show

    https://www.pmacraftshow.org/artist/jewelry-precious/2014/cheryl-rydmark
    Through forging and fabricating I explore my sense of the poetic, the ephemeral - light, water, the ocean's edge. This process allows me to construct richly textured botanical studies and fluid forms that I accent with diamond beads and slices; all chosen for their reflective qualities.

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