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https://nacla.org/article/chicana-artists-exploring-nepantla-el-lugar-de-la-frontera
Santa Barraza, Yolanda López, Marcia Gómez, Carmen Lomas Garza and other Chicana artists connect their art to everyday life, instilling both with political, sacred and aesthetic values. Haciendo tortillas becomes a sacred ritual in literary, visual, and performance arts.[4]
http://chicanoart.org/nepantla.html
The term, Nepantla is a Nahuatl (Aztec language) term connoting in between or a reference to the space of the middle. A number of contemporary scholars, writers, poets and artists have elaborated upon this concept, enhancing and/or adding on to the Nahua concept. (See Gloria Anzaldua, Pat Mora, Yreina Cervantez, Miguel Leon Portilla).
https://www.tandfonline.com/doi/abs/10.1080/10714839.1993.11724648
Jan 22, 2018 · (1993). Chicana Artists: Exploring nepantla, el lugar de la frontera. NACLA Report on the Americas: Vol. 27, No. 1, pp. 37-45.Cited by: 11
https://nacla.org/edition/3088
Chicana Artists: Exploring nepantla, el lugar de la frontera. Gloria Anzaldúa. To be disoriented in space is to be en nepantla, to experience bouts of disassociation of identity, identity breakdowns and buildups. The border is in a constant nepantla state, and it is an analog of the planet.
https://search.opinionarchives.com/Summary/NACLA/V27I1P39-1.htm
...Santa Barraza, Yolanda L6pez, Marcia G6mez, Carmen Lomas Garza and other Chicana artists connect their art to everyday life, instilling both with political, sacred and aesthetic values... ...Hay muchas razas running in my veins, mescladas dentro de mi, otras culturas that my body lives in and out of...
https://chicanaart.blogspot.com/2021/02/week-8-gloria-anzaldua-border-arte.html
Week 8: Gloria Anzaldúa: Border Arte Nepantla, el Lugar de la Frontera In this short piece, Anzaldúa reflects on her visit to the Aztec: The world of Moctezuma exhibition at the Denver Art Museum. In this exhibition Anzaldúa is entranced by the highlighting of indigenous Aztec tradition such as Tenochtitlán, and how all of these installations are reframed and revitalized within modern-day Chicanx communities.
https://en.wikipedia.org/wiki/Nepantla
Nepantla is a concept used in Chicano and Latino anthropology, social commentary, criticism, literature and art. It represents a concept of "in-between-ness." Nepantla is a Nahuatl word which means "in the middle of it" or "middle."
https://college.cengage.com/english/coleman/making_sense/1e/instructors/irm/irm_part1.pdf
Chicana Artists: Exploring Nepantla, el Lugar de la Frontera Gloria Anzaldúa That Anzaldúa has written a bilingual text should come as no surprise to instructors famil-iar with her work. It will be a surprise to your students, however. Non-Spanish speakers will have some initial difficulty with the essay.
https://legacy.lib.utexas.edu/taro/utlac/00189/lac-00189.html
"Chicana Artists: Exploring Nepantla, el Lugar de la Frontera," NACLA Report 27 (1), July-August 1993. 17 "Chicana Book of Days," manuscript 1999 March 6: 18 "Chicana/Colored Creativity and Critical Thought," manuscript draft 1990 May 12: 19 "Collected Essays," 2001 November [Table of contents to a collection of Anzaldúa's work] 20
http://www.wiu.edu/cas/english/ego/egostdconf.php
In “Chicana Artists: Exploring Nepantla, el Lugar de la Frontera, Gloria Anzaldúa writes, “Nepantla is the Nahuatl word for an in-between state, that uncertain terrain one crosses when moving from one place to another when changing from one class, race, or gender position to another, when traveling from the present identity to a new identity.”
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