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Copyright © Cris Bruch 2010. Home Contact Objects Works on Paper Public Commissions. Cris Bruch
https://artisttrust.org/artists/cris-bruch/
Cris Bruch is a sculptor who integrates a formal aesthetic characterized by the use of non-traditional materials and repetitive processes with a social and philosophical conceptual basis.
https://art.state.gov/personnel/cris_bruch/
Cris Bruch. Chris Bruch’s art is one of process: patterns of making that, repeated, create a reality. The work is at once deeply personal and elegantly formal. “Mutterhulse” is a …
https://www.askart.com/artist/Cris_Bruch/11182132/Cris_Bruch.aspx
Cris Bruch (Born 1957) is active/lives in Washington, Missouri. Cris Bruch is known for Painting. Cris Bruch (b. 1957, Sugarcreek, Missouri) He is best known as a sculptor, working in a variety of media including paper, steel, wood, as well as recycled or re-imagined materials.
https://www.mutualart.com/Artist/Cris-Bruch/B1128BA4BE659403
Cris Bruch is an American visual artist. Cris Bruch has had several gallery and museum exhibitions, including at the Frye Art Museum and at the Greg Kucera Gallery.Several works by the artist have been sold at auction, including 'Untitled' sold at Bonhams San Francisco 'Contemporary Art from the Heller Ehrman LLP Collection' in 2010.
http://www.gregkucera.com/bruch.htm
Photo by Mark Woods. Courtesy Frye Art Museum. Cris Bruch: Others Who Were Here January 30 - March 27, 2016 HELVE, 2015 (First image of HELVE from straight on and second image of HELVE is a detail from the right) Wood 26 x 109 x 2.25 inches $10,000 JACK, 2015 Wood 10 x 140 x 2.25 inches $9,000. RUNNEL, 2016 Painted hemlock 90 x 9.75 x 7 inches SOLD
https://fryemuseum.org/exhibition/6210/
The Frye Art Museum is pleased to present Others Who Were Here, an exhibition of new work by distinguished Seattle artist Cris Bruch.Inspired by his investigation into his family’s roots as dryland farmers in eastern Colorado during the first half of the twentieth century, Others Who Were Here addresses the durability of hope in the face of obsolescence and decay.
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