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https://www.imdb.com/name/nm0875823/
Christopher Tucker designed the makeup for Andrew Lloyd Webber's mega box musical, "The Phantom of the Opera" for the star of the show when it premiered, actor/singer/writer Michael Crawford. Apparently it took six months to design and prefect the makeup and originally it took 3 hours to put on at first, but they reduced it to a half hour.
https://www.imdb.com/name/nm0875823/bio
Christopher Tucker designed the makeup for Andrew Lloyd Webber's mega box musical, "The Phantom of the Opera" for the star of the show when it premiered, actor/singer/writer Michael Crawford. Apparently it took six months to design and prefect the makeup and originally it took 3 hours to put on at first, but they reduced it to a half hour.
https://www2.bfi.org.uk/news-opinion/news-bfi/video/video-christopher-tucker-creating-elephant-man
May 08, 2019 · Prosthetic make-up artist Christopher Tucker talks about creating the make-up effects for David Lynch’s The Elephant Man. After Lynch’s own unsuccessful efforts to recreate John Merrick’s terrible deformities, Tucker was brought in to create the effects for John Hurt’s transformation, a complex arrangement of prosthetics that had to be applied in 15 separate sections.
https://stage-directions.com/all/news/theatre-buzz/the-makeup-behind-the-mask-at-the-phantom-of-the-opera-backstage-video/
Jul 21, 2020 · They also interview Christopher Tucker, who is the Phantom Prosthetic Make-up artist who designed the original make-up for Michael Crawford’s first Phantom. Tucker talks through the history of the Phantom’s disfiguration makeup. The Makeup Behind The Mask …
https://www.looper.com/47012/actors-underwent-intense-facial-transformations-role/
Apr 06, 2018 · While Lynch scrambled to make the movie work, makeup technician Christopher Tucker was brought in to save the show, building an elaborate mask made of around 15 pieces. And that's not even counting...
https://dangerousminds.net/comments/how_they_brought_the_elephant_man_back_to_life
Christopher Tucker was studying opera at drama school when he was asked to appear in a production of Rigoletto. He decided to give his character a noticeably larger hooter. He began fashioning different designs and discovered he liked making noses. That was when Tucker gave up Verdi and opera for a career as a makeup artist.
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