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http://blogs.getty.edu/iris/the-rise-and-fall-of-a-court-artist-in-renaissance-italy/
Jun 19, 2015 · The J. Paul Getty Museum, Ms. 96, verso. During his long career, Belbello da Pavia was an itinerant court artist, a wanted criminal, an avid petitioner for new contracts, and, in his old age, a duke’s protégé sent to work for a community of monks. The ups and downs in the career of this mid-15th-century illuminator from the northern Italian region of Lombardy vividly illustrate some of the …
https://www.oneonta.edu/faculty/farberas/arth/arth200/artist/court_artist.html
[For a more extensive discussion of this image and the shift from generalized to type to individualized representation see the webpage I have constructed for the Northern Renaissance Art class entitled Court Culture: Representations of Intimacy]. From the later Middle Ages through the Early Modern period, the position of Court Artist was a great honor for artists.
https://smarthistory.org/female-artists-renaissance/
Much of Renaissance art revolves around learning – about classical antiquity, philosophy, anatomy, or mathematics, not to mention the skills learned as an apprentice in a professional art studio. ... For instance, Anguissola’s 1565 Portrait of Philip II was mistakenly attributed to “court artist” Juan Pantoja de la Cruz from at least ...
https://en.wikipedia.org/wiki/Artists_of_the_Tudor_court
The artists of the Tudor court are the painters and limners engaged by the monarchs of England's Tudor dynasty and their courtiers between 1485 and 1603, from the reign of Henry VII to the death of Elizabeth I.. Typically managing a group of assistants and apprentices in a workshop or studio, many of these artists produced works across several disciplines, including portrait miniatures, large ...
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