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http://cyberhouse.arted.psu.edu/cyberhouse_history/cyberfemart.html
Catherine Richards, a Canadian cyberfeminist artist, explores the power of electronic art to challenge conventional notions of embodiment. Richards refers explicitly in her art explorations to the computerized environments as smart Environments, or the smart House.
https://www.artspace.com/magazine/interviews_features/the-other-art-history/the-other-art-history-the-forgotten-cyberfeminists-of-90s-net-art-55864
Jan 04, 2019 · Early Net Artists, like JODI, Vuc Kosic, and Heath Bunting, took advantage of the web’s ubiquity and accessibility, calling on its world-wide users to become participants in their html-based works. But like the dot-com culture that was forming in Silicon …Author: Loney Abrams
https://www.artsy.net/article/artsy-editorial-how-the-cyberfeminists-worked-to-liberate-women-through-the-internet
Oct 14, 2016 · Australian artist Linda Dement also used computer games to code alternative female identities. Her CD-ROM Cyberflesh Girlmonster (1995) takes the form of an adventure puzzle game, which Dement described as “a macabre comedy of monstrous femininity.” It’s a database of surreal monster-girls that Dement assembled from scans of female body parts.
http://cyberhouse.arted.psu.edu/cyberhouse_history/about.html
The Cyberfeminist House revisits issues raised by Womanhouse (a 1971 collaborative installation and performance work by Judy Chicago & Miriam Shapiro, other artists and Fresno State students), Betty Friedan's Feminine Mystique (1963), Charlotte Perkins Gilman's The Yellow Wallpaper (1892), and Strindberg's (1888) play, Miss Julie concerning how we are inscribed in houses and how that …
https://news.artnet.com/art-world/an-introduction-to-post-cyberfeminism-1156271
Nov 30, 2017 · “For me, Cyberfeminism was an artistic experiment of testing contemporary forms of organization,” the Berlin-based artist Cornelia Sollfrank—a founding member of the Old Boys Network—told artnet News. “It was a child of its time, inspired by all the new and yet unexplored opportunities of digital networked technologies.”Author: Caroline Elbaor
https://vnsmatrix.net/projects/the-cyberfeminist-manifesto-for-the-21st-century
Cyber-(ob)scene Kerstin Mey in Art & Obscenity, 2007; Early Internet Art Rachel Greene in Internet Art, 2004; The Cyberfeminist Fantasy of the Pleasure of the Cyborg Yvonne Volkart in Cyberfeminism. Next Protocols, 2004; NET.ART Marco Deseriis, Giuseppe Marano in NET.ART, 2003
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