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https://www.cynthiaschira.com/
About the Artist Cynthia Schira has been exhibiting internationally for over 40 years. Her work is represented in major public collections including the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Smithsonian's Renwick Gallery of the National Museum of American Art and the Museum Bellerive in Zurich.
https://americanart.si.edu/artist/cynthia-schira-4298
Majoring in textile design, Cynthia Schira received her BFA from the Rhode Island School of Design in 1956 and then attended the École d’Art Décoratif in Aubusson, France. In 1967 Schira earned her MFA at the University of Kansas.Born: Jun 01, 1934
https://www.spencerart.ku.edu/artists-respond/cynthia-schira
Artist bio A former University of Kansas faculty member, Cynthia Schira has been exhibiting internationally for over 40 years.
https://www.artic.edu/artists/36561/cynthia-schira
Approaching Change, 1997 Cynthia Schira; Quietude, 1980 Cynthia Schira; Fisherman’s Knot (Hanging), 1968 Cynthia Schira; Tree Stripe (Furnishing or Decorative Fabric), 1997
https://art.state.gov/personnel/cynthia_schira/
Cynthia Schira I earned my B.FA. from the Rhode Island School of Design and my M.F.A. from the University of Kansas, where I taught from 1976 to 1999. I was awarded two National Endowment for the Arts Craftsman’s Fellowships, in 1974 and 1983.
https://www.linkedin.com/in/cynthia-schira-30384119
artist Cynthia Schira textiles 1980 – 2011 31 years. I mainly weave two dimensional textiles that are exhibited in residences, corporations and museums.Title: art textiles by Cynthia Schira
https://digital.lib.ku.edu/ku-endacott/118
Description Cynthia Schira, professor of Design at the University of Kansas from 1976-1999, received her MFA at the University of Kansas in 1967. After joining KU’s faculty in 1976 she was instrumental in building a textile design program known throughout the world.
http://www.bienale.lt/2011/?p=387&lang=en
CYNTHIA SCHIRA has been exhibiting for over 40 years and is one of the most influential figures in the world of contemporary textiles. She has been using computerised looms since 1983 to create complex woven textile structures and was one of the first textile artists to fully appreciate the potential of computerisation for the handweaver.
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