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Daisyworld 2.0 2017, oil on canvas, 195 x 195cm
https://danhays.org/bio.html
Dan Hays > PDF version 1966 Born in London. 1987-90 BA Fine Art, Goldsmith’s College, London. 2008-12 PhD in Fine Art, Kingston University. Lives and works in London. Solo Exhibitions. 2017 The Walk to the Paradise Garden, Broadway Studio & Gallery, Letchworth Garden City. 2015 Interstate, Christine Park Gallery, London. 2011 Screen as Landscape, Stanley Picker Gallery, Kingston University.
https://www.eyestorm.com/Pages/Browse.aspx/Artist/Dan_Hays/75
London-based artist Dan Hays makes images that present the natural world as tightly controlled, heavily mediated, and yet strangely seductive. Presented as views of animal cages painted in punchy heightened colours, or pixelated paintings of woodland that feature psychedelic effects, his techniques invest the domestic and the everyday with surprising new meanings.
https://www.saatchigallery.com/artist/dan_hays
Dan Hays Mutual Understanding (Black), 1998 Oil on canvas 200 x 288 cm
https://www.yatzer.com/dan-hays
2 The Arcade, Letchworth Garden City SG6 3EW. United Kingdom. British artist Dan Hays presents a new series of oil paintings at Broadway Gallery in Letchworth Garden City, England, which reproduce pixelated poor-quality photos of the city’s landscapes and buildings. The awarded painter is especially known for his series of paintings of rural Colorado, where he first finds anonymous, poor-quality …Estimated Reading Time: 2 mins
https://www.tate.org.uk/art/artists/dan-hays-5466
Artist page for Dan Hays (born 1966) Dan Hays Colorado Impression 11b (after Dan Hays, Colorado)
https://www.artsy.net/artist/dan-hays
Dan Hays. Followers 31. Following. Follow. Overview. Works for sale (2) Auction results. Notable Works. View all works. Skip to end of content. Closing Time, 2007 ... Reviewed by a major art publication. Artforum, and 1 more. See all past shows and fair booths. …
https://www.stanleypickergallery.org/programme/dan-hays/
Using low-resolution images of landscape gleaned from the Internet as his starting point, Dan Hays constructs paintings that question the technology-driven obsession with high definition optical verisimilitude, and the passive observer this configures.
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