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https://www.jstor.org/stable/20163967
2 DANTE AND THE MODERN CULT OF THE ARTIST mous in ancient Rome and later still in the Middle Ages, as they had been for tens of thousands of years, long before the Greeks?in other words, for most of human history.
https://www.academia.edu/24381716/Dante_and_Hemingway_The_Modern_Cult_of_the_Artist
Responding to that quote, University of Virginia professor Paul Barolsky summarized this shift of hero type in his article “Dante and the Modern Cult of the Artist;” he wrote, “Replacing Achilles and Aeneas, who lived by the sword, Dante established the poet who wields a …
https://research.bowdoin.edu/dante-today/bibliography/
Jul 18, 2013 · Barolsky, Paul. “Dante and the Modern Cult of the Artist.” Arion: A Journal of Humanities and the Classics 12.2 (Fall, 2004): 1-15. JSTOR. Web. 18 July 2013. Barricelli, Jean-Pierre. “Dante: Inferno I in the Visual Arts.” Dante Studies, With the Annual Report of the Dante Society 114 (1996): 15-39. MLA International Bibliography.
https://secretsofinferno.wordpress.com/2014/02/26/the-great-artists-influenced-by-dante/
Feb 26, 2014 · The Thinker himself is supposed to be Dante contemplating the Gates of Hell. Modern, post-modern, and pop cultural visual visions of Dante abound. Just recently we came across a slide show of the work of a Romanian artist, Mihai Marius Mihu, who has recreated key scenes from The Divine Comedy in lego blocks (over 40,000 of them).
https://www.tate.org.uk/research/publications/tate-papers/08/the-modern-cult-of-replicas-a-rieglian-analysis-of-values-in-replication
Although it was written over a century ago, Alois Riegl’s ‘The Modern Cult of Monuments’1 still provides a valid analytical framework for the study of key theoretical issues surrounding the transmission to the future of works of art. Given their age, some of the broader philosophical principles underlying the text may appear outdated (for example, Riegl’s evolutionism and his theory of ...
https://dlcl.stanford.edu/sites/default/files/files_upload/lummus-inferno-influence_1.pdf
founded the cult of Dante and created the institution of Dante studies that spans the globe today. The famed author of the Decameron wrote the first biography of Dante (the Trattatello in laude di Dante, or “trea-tise in praise of Dante”; translated into English in 1898 as Life of Dante) and gave a series of public lectures (the Esposizioni ...
https://www.tate.org.uk/art/artists/dante-gabriel-rossetti-461
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter and translator, and member of the Rossetti family.He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti was later to be the main inspiration for a second generation of artists and writers ...
https://www.academia.edu/11416817/_Rodin_s_Gates_of_Hell_and_Dante_s_Divine_Comedy_The_Literal_and_Allegorical_in_the_Paolo_and_Francesca_Episode_of_Inferno_5_in_Dante_in_the_Nineteenth_Century_N_R_Havely_ed_Peter_Lang_Pub_2011_
Addressing these aspects of Dante's presence during a key period of his modern reception, this collection of essays draws upon a number of papers given at the international conference 'Dante in the Nineteenth Century', held at the University of York in July 2008, and combines the work of established experts in the field with that of younger ...
https://www.britannica.com/art/Aestheticism
In England, the artists of the Pre-Raphaelite Brotherhood, from 1848, had sown the seeds of Aestheticism, and the work of Dante Gabriel Rossetti, Edward Burne-Jones, and Algernon Charles Swinburne exemplified it in expressing a yearning for ideal beauty through conscious medievalism.
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