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https://misschelseypatt.blogspot.com/2011/05/is-of-artistic-identification.html
May 15, 2011 · The “is” of artistic Identification according to Danto is a method which one can use to tell the difference between a real object and a piece of artwork. For example; when one says “A is B” the “A”, has a certain property that object B does not possess, therefore making “A” an artwork.
http://wrap.warwick.ac.uk/42211/
criticism of Danto's theory of art: (1) there are logical inconsistencies in his concept of the is of artistic identification and in his use of indiscernible counterparts, (2) his theory suffers by being over-inclusive and (3) he uses circular arguments.
http://www.uh.edu/~cfreelan/courses/1361/Danto.htm
Arthur Danto, “The Artworld”, ABQ Chapter 3, pp. 33-44. Preface: Danto attacks Socrates and Plato’s view of art as imitation (mimesis0 or a mirror. He calls this the “Imitation Theory” or “IT”. If this were correct, then any mirror image would also be an artwork, which is obviously false. It’s true that many artists both at that time and later did try to imitate nature in their art.
https://www.thegadflymagazine.org/home-1/danto-on-indiscernibility
Jul 09, 2017 · Granting this, we have grounding for Danto’s “is of artistic identification,” which is not exhaustively defined by Danto, but can be understood as something between literal and representative identity of subject and predicate. Consequently, artworks can be neither reduced to the predicates used to describe them literally nor taken as mere bearers of them on the representative …
http://www.ellipsis.cx/~kortbein/4501/danto.html
Danto presents an example in which the 'is' of artistic identification is relied heavily upon in the viewing of two identical paintings (each a white rectangle with a black line through the center). His comments indicate how use of the 'is' of artistic identification is guided by (backed by, supported by, constrained by) theory, understood in the loosest sense possible.
https://www.bartleby.com/essay/What-Is-A-Theory-Of-Art-FKJTNUVK6YKW
Danto states that an artistic theory is required to determine what is art. He uses the ‘is’ of artistic identification and the ‘Artworld’ theories to distinguish between two objects that are identical, when one is an artwork and the other is not.
https://aestheticstoday.blogspot.com/2014/11/puzzles-about-dantos-artworld.html
Nov 17, 2014 · First, there is Imitation Theory, which dominates the artworld from the time of Plato, and then, after the assault of Postimpressionist art, there is Reality Theory. This, in turn, is followed by Danto's own theory, call it DT or Danto Theory, which is unclear but involves the "is" of artistic identification, art historical knowledge, being able to see something as art, and seeing something …
https://aestheticstoday.blogspot.com/2014/11/more-on-dantos-artworld.html
Nov 20, 2014 · Danto thinks that artistic theories always made the artworld possible. Clearly he thinks that being able to see something as art under IT was required for art to exist during the reign of IT. Maybe it still does the trick today for those who hold to IT.
https://arthistoryunstuffed.com/the-institutional-theory-of-art/
Jul 20, 2012 · It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is (in a sense of is other than that of artistic identification). Of course, without the theory, one is unlikely to see it as art, and in order to see it as part of the artworld, one must have mastered a good deal of artistic theory as well as a considerable amount of the history of recent New York …
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