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http://theoria.art-zoo.com/aesthetics-the-artist-and-the-audience-david-smith/
The artist does not deny aesthetics or the history of art. The myth in art, the history of art, are both enjoyed and used, but they are utilized by the memory of vision which is the only language in which the artist who made the work of art intended it to be understood.
https://www.hauserwirth.com/ursula/15600-david-smith-origins-innovations-artists-words
David Smith, ‘Aesthetics, the Artist, and the Audience,’ 1952 This text was written on the occasion of the exhibition ‘ David Smith. Origins and Innovations’ at Hauser & Wirth New York, 22nd Street, 13 November – 23 December 2017.
https://www.jstor.org/stable/10.5406/jaesteduc.44.3.0029
then audience members can have pleasure caused in them by an artwork’s aesthetic value. The capacity to benefit from the aesthetic value of an art-work is a necessary condition of being part of the work’s audience. Notice that not just anyone can be part of the audience for a given work of art. Audience members must possess certain capacities.
http://theoria.art-zoo.com/auteur/smith-david/
SMITH David - TEXTS & WRITING(s) / 1952; Aesthetics, the Artist and the Audience – David Smith; 1953; Economic Support of Art in America Today – David Smith; 1959; Tradition and Identity – David Smith
https://www.christies.com/en/lot/lot-6204789
As a young artist in the 1920s, David Smith was influenced by Cubism, De Stijl, Russian Constructivism and the German Bauhaus, movements that were promoting geometric shapes as a new form of visual language. While studying at the Art Students league in New York, Smith began to incorporate found objects into his paintings, collages and sculptures.
http://theoria.art-zoo.com/economic-support-of-art-in-america-today-david-smith/
Economic Support of Art in America Today – David Smith The artist has been told by almost everybody what art is, what the artist’s function is, most often by people who do not perceive, love or make art, but who nonetheless presume the right, because they are laymen, historians or critics or figure somewhere in the art fringe, to make ...
https://www.britannica.com/biography/David-Smith
Mar 05, 2021 · David Smith, in full David Roland Smith, (born March 9, 1906, Decatur, Indiana, U.S.—died May 23, 1965, Albany, New York), American sculptor whose pioneering welded metal sculpture and massive painted geometric forms made him the most original American sculptor in the decades after World War II. His work greatly influenced the brightly coloured “primary structures” of …
https://james415039.wordpress.com/2015/09/13/pp-asmt-4-research/
Sep 13, 2015 · David Smith ‘Aesthetics, the Artist and the Audience’ (1952) in Harrison, C. and Wood, P. (eds.) (2003) Art in Theory 1900–2000: An Anthology of Changing Ideas, Oxford: Blackwell (pp.586–88). A page from my own research book Art in Theory. The space as art
http://theoria.art-zoo.com/
Aesthetics, the Artist and the Audience – David Smith; Statement – Clyfford Still; from The American Action Painters – Harold Rosenberg; Letter to Gordon Smith – Clyfford Still; from An Other Art – Michel Tapié; Is Modern Art Communistic? – Alfred H. Barr Jr; The Sculptor in Modern Society – …
https://www.christies.com/en/lot/lot-5792531
David Smith centered his artistic practice in marking space by embedding welded forms within it. Barons Moon is an exceptional example of the artist's drive to create works in which "space becomes solid, and solids become transparent. ...where 'mass is energy, space is energy, space is mass'" (D. Smith, "Aesthetics, the Artist, and his Audience," quoted in G. McCoy, David Smith, London and New ...
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