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https://www.dekooning.org/documentation/words/what-abstract-art-means-to-me
Willem de Kooning, "What Abstract Art Means to Me," talk delivered at the "What is Abstract Art?" symposium, The Museum of Modern Art, New York, February 5, 1951. First published in "What Abstract Art Means to Me: Statements by Six American Artists,” The Museum of Modern Art Bulletin XVIII, no. 3 (Spring 1951): 4-8.
https://www.tate.org.uk/art/artists/willem-de-kooning-1433
Biography. Willem de Kooning (; Dutch: [ˈʋɪləm də ˈkoːnɪŋ]; April 24, 1904 – March 19, 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter Elaine Fried. In the years after World War II, de Kooning painted in a style that came to be referred to as abstract expressionism or "action painting", and was part of a group of artists …Estimated Reading Time: 2 mins
https://www.artsy.net/artist/willem-de-kooning
A first-generation Abstract Expressionist, Willem de Kooning is one of the most important artists of the 20th century. In 1950s New York, when painters like Jackson Pollock and Franz Kline were moving away from representational imagery toward pure abstraction, de Kooning maintained a commitment to the figurative tradition, developing a signature style that fused vivid color and aggressive paint handling …Nationality: Dutch, American
https://www.moma.org/artists/3213
De Kooning was born in the Netherlands, but active primarily in the United States. He was a leading figure of Abstract Expressionism. His style strongly influenced art after World War II. De Kooning attended the Rotterdam Academy of Fine Arts and Techniques and was drawn to Cubism. He moved to the United States in 1926 and worked as a house ...
https://www.dekooning.org/the-artist/biography
By the late forties and early fifties, de Kooning and his New York contemporaries, including Jackson Pollock, Franz Kline, Robert Motherwell, Adolph Gottlieb, Ad Reinhardt, Barnett Newman and Mark Rothko, became notorious for rejecting the accepted stylistic norms such as Regionalism, Surrealism and Cubism by dissolving the relationship between foreground and background and using paint to create emotive, abstract …
https://www.independent.co.uk/news/world/modern-art-was-cia-weapon-1578808.html
Jun 14, 2013 · (Tate Modern) For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - …
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