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https://www.imdb.com/title/tt0032455/fullcredits
background artist (segment "The Sorcerer's Apprentice") Joe Stahley ... background artist (segment "Toccata and Fugue in D Minor") Ed Starr ... background artist (segment "Rite of Spring") Robert Stokes ... animator (segment "The Nutcracker Suite") Robert Storms ...
https://www.britannica.com/topic/Fantasia-film
Fantasia, American animated film, released in 1940, that was produced by Walt Disney and features seven unrelated segments set to classical music under the direction of famed conductor Leopold Stokowski. Viewers and critics have deemed the film, which lacks an overarching narrative, both
https://disneyfineart.com/collections/fantasia
Disney Fine Art is interpretive, artist inspired artwork that is officially licensed by Disney, based on classic Disney films and characters. Add some Disney magic to your home decor with our portfolio of original artwork, canvas limited editions, Disney Concepts and Photographs from The Walt Disney …
https://characterdesignreferences.com/art-of-animation-5/art-of-fantasia-part-1
Fantasia is an animation movie produced by Walt Disney in 1940. With story direction by Joe Grant and Dick Huemer, and production supervision by Ben Sharpsteen, it is the third Disney animated feature film. The film consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are performed by the Philadelphia Orchestra.
https://www.pinterest.com/crystalmascioli/fantasia/
Vamos te mostrar dicas lindas para criar uma fantasia feminina de Harry Potter. Faça a sua também para brincar muito na festa a fantasia ou no Carnaval. Badass Halloween Costumes. Halloween Kostüm Halloween Outfits Masquerade Halloween Costumes Queen Of …666 pins
https://www.amazon.com/Walt-Disneys-Fantasia-John-Culhane/dp/0810980789
Fantasia was undoubtedly Walt Disneys most ambitious film. Each segment is a very effective mood peice. The late John Culhane, who corresponded with Walt Disney and the studio, wrote this behind the scenes account of the making of this classic. He relied on meeting notes from the archives and interviews from the artists as primary sources.Cited by: 7
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