Interested in Documenta Xi Artists? On this page, we have collected links for you, where you will receive the most necessary information about Documenta Xi Artists.
https://www.documenta.de/en/retrospective/documenta11
Sep 15, 2002 · “Documenta 11 rests on five platforms which aim to describe the present location of culture and its interfaces with other complex, global knowledge systems.” Thus the exhibition in Kassel was the fifth and last platform in the concept introduced by Okwui Enwezor and his curatorial team, composed of Carlos Basualdo, Ute Meta Bauer, Susanne Ghez, Sarat Maharaj, Mark Nash, and …
https://archive.nytimes.com/www.nytimes.com/slideshow/2002/05/31/magazine/02docu.slideshow.ready_index.html
May 31, 2002 · Copyright 2002 The New York Times Company
https://www.leeds.ac.uk/cath/ahrc/publishing/documenta11/index.html
Discussing Documenta XI The curatorial project of Documenta XI (2002) challenged us to consider art practice as a way of thinking about history. The work on exhibition articulated unconsidered histories through untypical concepts of the historical accessed as the aesthetic as the site of particularity, singularity and affectivity.
https://www.academia.edu/8669859/The_Ties_that_Bind_Women_Artists_at_Documenta_XI
The three women artists on whom Documenta 12 appears to “hang” are the Americans Trisha Brown and Martha Rosler, and the Pakistani Nasreen Mohamedi. It is the forms of their work that “migrate” (as Buergel has dubbed trans-cultural formal correspondences) throughout the exhibition, creating an intercontinental, interracial and inter-gender dialogue between the past, the present and the future.
http://thelip.robertsharp.co.uk/?p=83
This puzzling inscription found graffitied on a crumbling church wall provides the title for Joellëe Tuerlinckx’s new installation and a loaded introduction to the international contemporary art exhibition Documenta XI. Calling into question the inter-dependent systems of religion, culture and history, the inscription does more than to revel in the flux of post-modern fragmentation; but rather de-stabilises …
https://www.moma.org/artists/8153
Stan Douglas (born October 11, 1960) is an artist based in Vancouver, British Columbia. Douglas' film and video installations, photography and work in television frequently touch on the history of literature, cinema and music, while examining the "failed utopia" of modernism and obsolete technologies. He has exhibited internationally, including Documenta IX, 1992, Documenta X, 1997, Documenta XI, 2002 …
https://www.documenta14.de/en/
documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen. …
https://www.documenta.de/en/retrospective/documenta_ix
In the Zwehrenturm at the Fridericianum, Hoet established a “collective memory” of documenta 9 featuring works by Jacques-Louis David, James Ensor, Paul Gauguin, Alberto Giacometti, Joseph Beuys, Barnett Newman, and James Lee Byars on loan from museums and, in doing so, presented a genealogy similar to that of the first documenta—albeit not in accordance with systematic art-historical …
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