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http://domenicodeclario.com/
walking slowly downhill. I pay respect to the First Nations People of the Mallee-Millewa, their elders, past, present and emerging; and recognise their ongoing connection to the land. I acknowledge that First Nations' sovereignty over this land was never ceded.
https://www.invaluable.com/artist/declario-domenico-nnymkfvt9r/
Domenico de Clario is an interdisciplinary artist, academic, writer and musician. He was born in Trieste, Italy, in 1947 and migrated to Australia in 1956. He studied architecture and town planning at Melbourne University, painting at Milan’s Accademia di Belle Arti di Brera and lithography at the Accademia di Belle Arti …
https://www.linkedin.com/in/domenico-de-clario-11591216
domenico de clario artist Melbourne, Australia 500+ connections. Join to Connect. museum of innocence mildura. Experience. co-ordinator museum of innocence mildura. Nov 2016 – Present 3 years.Title: artist
https://artblart.com/tag/domenico-de-clario/
Domenico de Clario (Australian, born Italy 1947) u (renoir’s garden) 2008/09. Oil on canvas. Based on the music of melancholy that inhabits the shadows of the paintings of Montmarte by the French artist Maurice Utrillo, Domenico de Clario’s exhibition of paintings at John Buckley Gallery in Melbourne is a major achievement.
https://www.aasd.com.au/artist/6917-domenico-de-clario/
Artist Domenico De Clario has 15 works listed in the Australian Art Sales Digest.
https://www.abc.net.au/news/2016-09-22/artist-buries-lifelong-possessions-for-arts-sake/7868322
Sep 22, 2016 · Artist Domenico de Clario's installation is part of an eight-acre native garden in Irymple, owned by Ross Lake and Helen Vivian. Many objects are from past art installations, including Mildura's ...
http://www.abc.net.au/local/videos/2011/02/18/3142304.htm
Domenico de Clario is an artist who values the process of creation as much as the outcome.
https://marsgallery.com.au/2019-domenico-de-clario-beyond-tonglen/
Domenico de Clario moved from Melbourne to Mildura in early 2015 seeking to experience first hand both the vastness of the continent that extended from the banks of the Murray River deep into its interior and the complexity of its consequent post-colonial cultural layering.
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