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http://dictionnaire.espaceartactuel.com/en/artistes/cisneros-domingo-1942/
Born in Monterrey, Mexico, and a descendent of the Chichimeca peoples, Domingo Cisneros was drawn to the aboriginal culture of North America when he moved to Canada in 1968. During the 1970s, he taught at Manitou College in La Macaza, gradually developing …
http://ccca.concordia.ca/c/writing/n/nemiroff/nem002t.html
Domingo Cisneros was born in a funeral parlour in Monterrey, Mexico, a circumstance that may have oriented the art he would eventually make, for much of it is involved with the attempt to create new ceremonies based on the recognition of the primordial closeness of life and death.
https://e-artexte.ca/6087/
Martin discusses Cisneros' move, as a "desert Métis," from Mexico to the forests of Québec, exploring such topics as the development of the artist's "art adventures," invasionary ecological work, use of natural materials, and aboriginal peoples. Biographical notes. 16 bibl. ref.Author: Lee-Ann Martin
https://www.jstor.org/stable/pdf/44318122.pdf
Figure de l'indiscipline. Domingo Cisneros, un parcours artistique atypique Edith-Anne Pageot Between 1974 et 1996, the Can-adian artist of Mexican origin Domingo Cisneros was seen as a leading figure in contempo-rain art in Canada. He played a major role in the process of self-determination that First Nations artists undertookfol-
https://front.bc.ca/events/domingo-cisneros-residency/
Domingo Cisneros is a Mexican Metis and a Cultural Warrior who believes that the Imagination in action is the strongest weapon in life and in creation. Concerned with the disappearance of traditions and the destruction of the environment, his art draws together the laws of nature, the power of ritual and the reality of death in seeking a renewed association between the human, the natural and the spirit worlds.
http://americanaejournal.hu/vol13no1mixed/pageot
Cisneros’s artist’s writings and stories include images of the self that present themselves in strong and performative ways through animal figures and the shaman’s nagual. Multiple literary methods (the use of “I” and “you,” concision, rhythm, musicality), motifs (the mirror, the animal), and recurring themes (rage, the life/death dichotomy) metaphorically constitute different faces of the artist.
http://museesmontreal.org/en/exhibitions/through-the-forest
Artists: Jean-Pierre Aubé, Domingo Cisneros, Anne-Renée Hotte, David Lafrance, Frances Adair Mckenzie. Curator: Aseman Sabet. The Laurentian forest hosts one of the oldest ecosystems, dating back to more than 10 000 years old. Based on a reflection on Domingo Cisneros’ bestiary (1987), the collective exhibition Through the forest intends to ...
https://en.wikipedia.org/wiki/Jos%C3%A9_Cisneros_(artist)
José B. Cisneros (1910 – 2009) was a Mexican–born American artist. He is known for his historical illustrations and drawings of early Texas, specifically of horsemen including charro, vaquero, Texas rangers, and Texas cowboys. He illustrated over 300 books.
https://www.tshaonline.org/handbook/entries/cisneros-jose-b
José B. Cisneros, Tejano book illustrator, artist, and historian in El Paso, was born in Villa Ocampo (formerly known as San Miguel de las Bocas), in the northern part of the state of Durango, Mexico, to Fernando Cisneros and Juanita (Barragán) Cisneros, on …
https://en.wikipedia.org/wiki/Edward_Poitras
In 1975-76 he continued his studies at Manitou College in La Macaza, Quebec with Mexican Aboriginal artist Domingo Cisneros. Career. Poitras has participated in many significant solo and group exhibitions in Canada and internationally. Since 1980, his work has usually been included in major contemporary Aboriginal exhibitions.
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