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Doug Aitken and L.A. Dance Project premiere COVID ...

    https://www.latimes.com/entertainment-arts/story/2021-02-02/covid-art-doug-aitken-la-dance-project
    Feb 02, 2021 · Plenty of artists and filmmakers have set out to capture empty urban landscapes in moments of COVID-19 isolation, but artist Doug Aitken’s …

Doug Aitken Artnet

    http://www.artnet.com/artists/doug-aitken/
    Doug Aitken is a contemporary American artist known for installations incorporating video, photography, sculpture, and performance. View Doug Aitken’s 196 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, sculpture, and installation for sale and learn about the artist.Nationality: American

Doug Aitken - Wikipedia

    https://en.wikipedia.org/wiki/Sleepwalkers_(video_installation)
    Early life and career. Aitken was born in Redondo Beach, California in 1968. In 1987, he initially studied magazine illustration with Philip Hays at the Art Center College of Design in Pasadena before graduating in Fine Arts in 1991. He moved to New York in 1994 where he had his first solo show at 303 Gallery. He currently lives and works in Venice, California, and New York.Born: 1968, Redondo Beach, California

Doug Aitken: migration (empire) – Carnegie Museum of Art

    https://cmoa.org/exhibition/doug-aitken/
    This next iteration of the exhibition series features migration (empire), a twenty-four-minute video work by multidisciplinary artist Doug Aitken (American, b. 1968).The film was exhibited on the museum’s façade during Life on Mars: 55th Carnegie International in 2008.. In a series of vignettes, wild North American migratory animals have been relocated from their natural habitats to inhabit ...

Doug Aitken - 58 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/doug-aitken
    For Sleepwalkers (2007), Aitken made a short film starring actors Donald Sutherland and Tilda Swinton, among others, which he projected in separate frames onto the Museum of Modern Art and adjacent buildings. Requiring eight projectors, the film plays with the conventions of narrative, mirroring the frenetic sights and sounds of the city.

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