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https://www.britannica.com/biography/Duccio
Duccio, in full Duccio di Buoninsegna, (born 13th century, Siena, Republic of Siena—died c. 1319, Siena?), one of the greatest Italian painters of the Middle Ages and the founder of the Sienese school. In Duccio’s art the formality of the Italo-Byzantine tradition, strengthened by a clearer understanding of its evolution from classical roots, is fused with the new spirituality of the Gothic style.
https://en.wikipedia.org/wiki/Duccio
Duccio is considered one of the greatest Italian painters of the Middle Ages, and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style.Born: Duccio di Buoninsegna, c. 1255–1260, Siena, …
https://www.artsy.net/artist/duccio
Duccio di Buoninsegna (or simply Duccio) was an artist active during the Middle Ages and a defining innovator of the Sienese School. He painted with a linear and decorative style, frequently using gold and strong colors to create linear patterns—the result of combined influences from Byzantine tradition and the French Gothic.Nationality: Italian
https://www.nationalgallery.org.uk/artists/duccio
Duccio was one of the most important painters of 14th-century Italy. He ran a large workshop which shaped generations of Sienese artists. His pupils were influential on Florentine art. His greatest work was the double-sided altarpiece, the 'Maestà', made between 1308-11. The Gallery's 'The Annunciation', 'Jesus opens the Eyes of a Man born Blind' and 'The Transfiguration' are fragments from it.
https://viralbandit.com/wow/the-shimmering-art-of-duccio-a-master-of-medieval-panel-painting/
Mar 14, 2020 · While Duccio is largely considered a Medieval artist, his expressive figures and innovative use of modeling imply an interest toward humanism—a concept that would be at the core of Renaissance art roughly a century later.
https://www.metmuseum.org/art/collection/search/438754
Duccio di Buoninsegna Italian On view at The Met Fifth Avenue in Gallery 624 This lyrical work inaugurates the grand tradition in Italian art of envisioning the sacred figures of the Madonna and Child in terms appropriated from real life.
https://smarthistory.org/duccio-maesta/
Duccio was the founder of the Sienese style and his work was quite different from the Florentine painter Giotto. Giotto emphasized a greater naturalism—creating figures who are more monumental (large, heavy and with a greater sense of accurate proportion) and a greater illusion of three-dimensional space.
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