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https://www.tate.org.uk/art/artworks/ruscha-artists-who-make-pieces-ar00057
Noting the self-reflexive and critical tone of this drawing, the curator Cornelia Butler declares ARTISTS WHO MAKE “PIECES” to be an example ‘of Ruscha’s distanced stance vis-à-vis movements, isms, and the ongoing attempts to categorize his work’ (Rowell and Butler 2004, p.34). By referring to a vague category of making, Ruscha appears to mock the desire to pigeonhole artists and define their output.
https://www.wikiart.org/en/edward-ruscha/
In a 1961 tour of Europe, Ruscha came upon more works by Johns and Robert Rauschenberg, R. A. Bertelli’s Head of Mussolini, and Ophelia by Sir John Everett Millais. Some critics are quick to see the influence of Edward Hopper 's Gas (1940) in Ruscha's 1963 …Nationality: American
https://www.theartstory.org/artist/ruscha-ed/artworks/
In the 1970s, burdened with a temporary malaise toward working with oil paint, Ed Ruscha began working with non-traditional and organic materials to create his artworks. He explained, "the first work that I did involving vegetable matter and organic materials came out of a frustration with materials.
https://www.artsy.net/artist/ed-ruscha
Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and the pervasive cliches in pop culture, illustrated by his iconic 1979 painting I Don’t Want No Retro Spective. “You see this badly done on purpose, but the badly-done-on-purpose thing was done so well that it just becomes, let’s say, …Nationality: American
https://www.theartstory.org/artist/ruscha-ed/
Boss (1961) Ruscha claims that Boss was his first mature painting. It was the first of a long series of word paintings where Ruscha created single-canvas works each featuring a word with strong connotations and a powerful visual impact. Later versions included Honk, Smash, Noise, and Oof.Born: Dec 16, 1937
https://www.tate.org.uk/art/artworks/ruscha-artists-who-do-books-ar00056
These works build on Ruscha’s west-coast pop art style of the early 1960s which established his reputation, replacing the slick visual representations of everyday objects and LA architecture (for example, Standard Study #3 1963, Tate AR00050) with a precise focus on the imaginative potential of language, while retaining the artist’s trademark playful irony. The critic Dave Hickey has observed of …
https://craigberry93.medium.com/ed-ruscha-a962643b1577
Jan 03, 2019 · In a somewhat alternative Pop-Art style, the words don’t necessarily look painted but printed; something that can be repeated and reproduced endless times, however unlike Warhol’s Pop-Art pieces…
https://www.norikoambe.com/works/2008w0002p01.html
Cutting Book Series with ED Ruscha "Artists who make pieces, Artists who do books" 2008 Cuts on a book of "ED Ruscha" 5 1/8(H) x 14 1/2(W) x 8(D) inches …
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