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https://www.nga.gov/research/publications/pdf-library/edo-art-in-japan.html
Edo: Art in Japan, 1615–1868 Robert T. Singer with John T. Carpenter, Hollis Goodall, Victor Harris, Matthew McKelway, Herman Ooms, Nicole Coolidge Rousmaniere, Henry D. Smith II, Sharon S. Takeda, and Melinda Takeuchi Published 1998 480 pages
https://education.asianart.org/resources/artists-and-patrons-of-the-edo-period-1615-1868-in-japan/
Prior to the Edo period, many painters and sculptors remained anonymous, occupying relatively equal status to carpenters and other artisans. The position of the artist during the Edo period changed, as artists became more successful financially, and better educated.
https://courses.lumenlearning.com/boundless-arthistory/chapter/the-edo-period/
The school was supported by the shogunate, effectively representing an official style of art; under the Edo period in which art and culture were strictly regulated, this essentially monopolized the field of painting. Kanō School artists worked mainly for the nobility, shoguns, and emperors, covering a wide range of styles, subjects, and formats.
https://www.britannica.com/art/Japanese-art/Tokugawa-or-Edo-period
Japanese art - Japanese art - Tokugawa, or Edo, period: At the death of the Momoyama leader Toyotomi Hideyoshi in 1598, his five-year-old son, Hideyori, inherited nominal rule, but true power was held by Hideyoshi’s counselors, among whom Tokugawa Ieyasu was the most prominent. Ieyasu assumed the title of shogun in 1603, and the de facto seat of government was moved from Kyōto to …
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