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https://studentshare.org/english/1445846-ee-cummings
In addition, Metcalf (374) notes that Dante who was an author but died even before Dante was born also influenced the early works of Cummings. This influence is reflected in the non-lectures that Cummings gave to the audiences he addressed. However, it was not Dante alone but also Dickens and Mallory.
https://eecummingsart.com/about/
An iconoclast and resolute individualist in both his poetry and his painting, Cummings consciously eschewed the favor of contemporary critics in order to pursue what he considered the more elevated course — the attempt to develop his visual art unencumbered by the trappings of any contemporary "school"; and he pursued this effort with a seriousness of purpose that belied some later critics' …
https://www.thedailybeast.com/the-secret-art-life-of-ee-cummings
Apr 26, 2015 · Of all the artists featured in the Armory, Cézanne ultimately came to have, perhaps, the greatest impact of all on Cummings’s art. “Cézanne was the major influence. …Author: Emily Shire
https://www.u-s-history.com/pages/h3881.html
Cummings, the painter Cummings was not just a one-trick pony of the avant garde. Not only did he see himself as a poet, essayist, and playwright, but as a painter, as well. His early influences began during his Harvard years with the artistic movements of Cubism, Dada, and Surrealism. In particular, he admired the work of Pablo Picasso.
https://www.britannica.com/biography/E-E-Cummings
…often mingled with stream-of-consciousness techniques, E.E. Cummings used typographical novelties to produce poems that had surprisingly fresh impact. Marianne Moore invented and brilliantly employed a kind of free verse that was marked by a wonderfully sharp and idiosyncratic focus on objects and details.
https://www.biography.com/writer/ee-cummings
Jul 17, 2020 · E.E. Cummings was an innovative poet known for his lack of stylistic and structural conformity, as seen in volumes like Tulips and Chimneys and …
https://poetryarchive.org/poet/e-e-cummings/
Cummings’ debut collection, Tulips and Chimneys, appeared in 1923 and presented for the first time his eccentric use of grammar and punctuation, an approach, influenced by Gertrude Stein, that gave his poetry a radical freshness. His own experience as a painter, as well as a writer, meant that for Cummings the appearance of the poem on the page contributes significantly to its mood and meaning.
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