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https://en.wikipedia.org/wiki/Elektra_Records
Elektra Records is an American record label owned by Warner Music Group, founded in 1950 by Jac Holzman and Paul Rickolt. It played an important role in the development of contemporary folk music and rock music between the 1950s and 1970s. In 2004, it was consolidated into WMG's Atlantic Records Group. After five years of dormancy, the label was revived as an imprint of Atlantic in 2009. In October …Founder: Jac Holzman, Paul Rickolt
https://www.ebay.com/itm/Elektra-Folk-Sampler-Various-Artists-LP-Vinyl-Record-Includes-Book-/353369518412
Elektra Folk Sampler • Various Artists • LP Vinyl Record • Includes Book Records are packed in a cardboard record mailer. Unsealed records are shipped with …Seller Rating: 100.0% positive
https://www.britannica.com/topic/Elektra-Records-Village-Folk-to-Riders-on-the-Storm-1688350
Inspired by British reinterpretations of Elektra’s folk repertoire (particularly the Animals ’ 1964 version of “House of the Rising Sun,” previously associated with Josh White), artists-and-repertoire man Paul Rothchild encouraged amplified versions of folk and blues.
https://pitchfork.com/reviews/albums/9864-forever-changing-the-golden-age-of-elektra-records-1963-1973/
Feb 06, 2007 · While Elektra artists Phil Ochs, Tom Paxton, Fred Neil, the Incredible String Band, Judy Collins, and Tom Rush were categorized broadly under folk, these artists covered a …8.5/10
http://www.bsnpubs.com/elektra/elektrapromo.html
EK-PROMO-13 - Elektra Records May Releases - Various Artists [4/72] Someday Soon - Judy Collins (S)/Barracuda Dan - Audience (S)/B.B. Gunn - Sailcat (S)/Suzanne - Judy Collins (S)/Hula Girl - Audience (S)/Motorcycle Mama - Sailcat (S)//Stand By The Door - Audience (S)/Both Sides Now - Judy Collins (S)/Jubilee Cloud - John Kongos (S)/On The Brighter Side Of It All - Sailcat (S)/In My Life - Judy …
https://www.rhino.com/article/the-folk-box-the-kind-of-album-that-changes-lives
Apr 23, 2014 · Jac Holzman, who founded Elektra Records in 1950, was perhaps the first to notice and to correctly interpret folk music’s transformation. While many of his peers feared what they perceived as a compromise to their beloved music genre, he was fascinated by the possibilities for change within the music and also within the broader culture.
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