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The sovereignty of the artist: a note on legal maxims and renaissance theories of art. Add to My Bookmarks Export citation. Type Chapter Author(s) Ernst Kantorowicz Is part of Book Title Essays in honor of Erwin Panofsky Date 1961. This item appears on. List: Law and the Humanities 1: Ethos and Scholarship (Paris)
https://arthistorians.info/kantorowicze
Kantorowicz had become a member of the intellectual circle form around the German poet, art-magazine publisher and conservative nationalist Stefan George (1868-1933). He, Kantorowicz, had been assigned by ultra-Neitzschian George to write a popular (though thoroughly researched) biography of Frederick II in order to stir the German people ...
http://assets.press.princeton.edu/chapters/i10842.pdf
Ernst Kantorowicz (1895–1963) on the basis both of “work” and “life.” More than fifty years after his death Kantorowicz remains one of the most influen-tial of all medieval historians, perhaps the most influential. To be sure, the work of others might count as equally great: the names of Henri Pirenne, Marc
http://self.gutenberg.org/articles/Ernst_Kantorowicz
Ernst Hartwig Kantorowicz (May 3, 1895 – September 9, 1963) was a German-American historian of medieval political and intellectual history and art, known for his 1927 book Kaiser Friedrich der Zweite on Holy Roman Emperor Frederick II, and The King's Two Bodies (1957). [1]
https://arthistoriography.files.wordpress.com/2017/11/zitzlsperger1.pdf
2 Ernst Kantorowicz, The Sovereignty of the Artist: A Note on Legal Maxims and Renaissance Theories of Art, De Artibus Opuscula , 40: Essays in Honor of Erwin Panofsky, 1961, 267-279.
https://www.jstor.org/stable/3810674
In opposition to what Ernst Kantorowicz pinpointed under the title of the sovereignty of the artist in the Renaissance (1984, 31-57), I pro-pose a kenotic practice of virgin space, in which is incarnated the sovereignty of an institution which will make of the flesh a …
https://www.cambridge.org/core/journals/central-european-history/article/ernst-kantorowicz-and-the-sacralization-of-the-past/D793EEF1CF82AF4CA0BC1017C9D58491
“At the beginning of this book,” Ernst Kantorowicz wrote in the preface to The King's Two Bodies, “stands a conversation held twelve years ago with my friend Max Radin (then John H. Boalt Professor of Law, at Berkeley) in his tiny office in Boalt Hall, brimful floor to ceiling and door to window of books, papers, folders, notes—and life.” 1 The conversation the two men had that day ...
https://iconology.hypotheses.org/369
2. Kantorowicz, Ernst H. (1961) ‚The Sovereignty of the Artist. A Note on Legal Maxims and Renaissance Theories of Art‘ in Millard Meiss (ed.) De artibus opuscula XL: Essays in Honor of Erwin Panofsky, New York, 267-279.
http://www2.law.columbia.edu/law_culture/LHworkshop2005/papers/054.pdf
9 See Ernst Kantorowicz, “The Sovereignty of the Artist: A Note on Legal Maxims and Renaissance Theories of Art,” Selected Studies (New York: J. J. Augustin Pub., 1965): 362, cf. “Kingship Under the Impact of Scientific Jurisprudence,” 152-5.
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