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https://www.britannica.com/biography/Pablo-Picasso/The-1930s
The 1930s. The privacy of his life with the undemanding Marie-Thérèse formed a contrast to the hectic pace of life kept by Olga and her bourgeois circle of society friends. Once in Boisgeloup, Picasso lived secretly with Marie-Thérèse (with whom he had a child, Maya, in 1935), and she became the subject of his often lyrical, sometimes erotic paintings, in which he combined intense colour with flowing forms ( …
https://www.art-picasso.com/1930.html
During the 1930s, the minotaur replaced the harlequin as a common motif in Picasso work. Pablo Picasso use of the minotaur came partly from his contact with the surrealists, who often used it as their symbol, and it appears in Picasso's Guernica. The minotaur and Picasso's mistress Marie-Thérèse Walter are heavily featured in his celebrated Vollard Suite of etchings.
https://www.pablopicasso.org/crucifixion.jsp
Crucifixion, 1930 by Pablo Picasso. In this work, Picasso returns to his fascination with the 'life in death' paradox, encapsulated perfectly by the Western world's foremost symbol: the Crucifixion. The whole notion of rebirth and transformation has fascinated artists for centuries, as they see themselves as actively participating in an alchemical process while recreating life in their chosen medium.
http://www.art-picasso.com/1920.html
©Pablo Picasso paintings 1920-1924. 1 ... 2. In 1925 the Surrealist writer and poet André Breton declared Picasso as 'one of ours' in his article Le Surréalisme et la peinture, published in Révolution surréaliste. Les Demoiselles was reproduced for the first time in Europe in the same issue.
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