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https://news.artnet.com/market/women-painters-during-the-italian-renaissance-35656
Oct 07, 2013 · One of the earliest-known female artists of the Renaissance was a nun known as Saint Catherine of Bologna, or Caterina de’ Vigri. After her death, her …Author: Tara Field
https://www.npr.org/2021/01/02/951479764/where-are-the-women-uncovering-the-lost-works-of-female-renaissance-artists
Jan 02, 2021 · Florence is one of the main stops on any art lover's European itinerary. At the Uffizi Galleries, visitors can have their fill of works by Renaissance masters Leonardo da Vinci, Michelangelo …Author: Sylvia Poggioli
https://smarthistory.org/female-artists-renaissance/
most commonly, women born into a family of artists (e.g., Levina Teerlinc, Catarina van Hemessen, Artemisia Gentileschi, Elisabetta Sirani, Lavinia Fontana) In all cases, the public personae of women artists were closely tied to gendered ideas that expected a respectable woman to be virtuous, pious, and obedient to God and her father/husband.
http://www.artcyclopedia.com/feature-italian-women-artists.html
So while Italian Women Artists from Renaissance to Baroque presents us with the requisite images of still-lifes filled with fruits or flowers, for example Giovanna Garzoni's Plate of Figs, and of the Madonna in Elisabetta Sirani's Virgin and Child, our careful viewing of the displayed works provides new insights into the cultural milieu and ambience of discovery of these artists.
https://www.livitaly.com/5-italian-women-artists/
Mar 08, 2018 · FEDE GALIZIA (1578-1630) Our third female Renaissance artist, born in Milan, Italy, was known as a “Pioneer of the still-life genre”. She was trained by her father, Nunzio Galizia, who was also a well known artist, and by the age of twelve she was seen as an accomplished painter.
https://www.thoughtco.com/women-artists-of-the-sixteenth-century-3528419
Aug 07, 2018 · Women artists of the time tended, like their male counterparts, to focus on portraits of individuals, religious themes and still life paintings. A few Flemish and Dutch women became successful, with portraits and still life pictures, but also more family and group scenes than women from Italy …
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