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https://www.mca.com.au/artists-works/artists/fiona-hall/
Fiona Hall. Born 1953, Sydney, New South Wales. Lives and works Hobart, Tasmania. Fiona Hall works across a broad range of media including painting, photography, sculpture and installation, often employing forms of museological display. Her work has a strong material basis.
https://ocula.com/artists/fiona-hall/
Fiona Hall is a leading contemporary Australian artist. Working across painting, collage, printmaking, photography, sculpture, video, and installation, Hall has exemplified her skill in a diverse range of media in a career spanning over four decades. After initially enrolling for a Diploma of Painting at East Sydney Technical College, Hall became more preoccupied with photography.
https://www.artgallery.nsw.gov.au/collection/artists/hall-fiona/
Fiona Hall Bondi Beach, Sydney, Australia, October 1975 1975 371.1987 Fiona Hall Barcelona, Spain, May 1976 1976 372.1987 Fiona Hall London, England, June 1977 1977 373.1987 Fiona Hall Oatley, Sydney, January 1974 1974 374.1987
https://cookshillgalleries.com.au/pages/fiona-hall-artist
Artist Fiona Hall. Fiona Hall was a photographer until the late 1970’s, later expanding her forte to sculpture, painting, installation, garden design and video. Hall pursued a ‘Diploma of Painting’ from East Sydney Technical School. She is now known as one of Australia’s most well-known and established contemporary artists.
https://www.roslynoxley9.com.au/artist/fiona-hall
One of Australia’s most prominent contemporary artists, Fiona Hall is best known for extraordinary works that transform quotidian materials into vital organic forms with both historical and contemporary resonances. Hall works across a broad range of mediums including photography, painting, sculpture, moving image and installation, often employing forms of museological display.
https://www.widewalls.ch/artists/fiona-hall
In 2015, Fiona Hall was chosen as the first artist to represent Australia at the newly built Australian Pavillion at the Venice Biennale. Entitled Wrong Way Time, the installation featured 1000 works in a sort of a “cabinet of curiosities”, a project which examined global politics, world finances, and the environment.
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