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http://www.classicalart.org/blog/a-brief-history-of-perspective
Apr 13, 2013 · In 1435 Leon Battista Alberti discovered the first theory of linear perspective and published his treatise Della Pictura (On Painting) in which he too relied on mathematics as the common ground of art and science. Alberti’s discovery had an …
https://useum.org/Renaissance/Perspective
Although before Renaissance artists such as Giotto tried to use perspective in their paintings, it was only with the Italian architect Filippo Brunelleschi, who demonstrated its principles, and the writings of Leon Battista Alberti, who wrote about the perspective and presented a perspective construction in his De Pictura in 1435, when perspective was formalized as an artistic technique.
https://www.widewalls.ch/magazine/perspective-in-art
Dec 04, 2016 · Famous Artists Who Relied on Perspective in Art The first known picture to make use of linear perspective in art was created by Filippo Brunelleschi, but the artist Masaccio was the first painter who demonstrated the result of the new rules of perspective in art.
http://www.webexhibits.org/sciartperspective/raphaelperspective1.html
Although largely ignored in perspective histories, the central vanishing point appears to have been first used in 1423 by Masolino da Panicale (1383-c. 1440), and is well-illustrated by his painting from the same period of a double scene of miracles of St. Peter, which has a strong perspective …
https://en.wikipedia.org/wiki/Masaccio
The fresco, considered by many to be Masaccio's masterwork, is the earliest surviving painting to use systematic linear perspective, possibly devised by Masaccio with the assistance of Brunelleschi. According to the reconstruction Masaccio started by producing a rough drawing of the composition and perspective lines on the wall. The drawing was covered with fresh plaster for making the fresco.
https://mymodernmet.com/camera-obscura/
Jul 20, 2020 · Renaissance artist and inventor Leonardo da Vinci first described a mechanism that would make drawing in perfect perspective much easier to achieve, something that would later be known as camera obscura. Rather than meticulously measuring out the lengths and angles of a subject or scene, camera obscura offers a shortcut.
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