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https://www.metmuseum.org/toah/hd/noro/hd_noro.htm
Important painters from the Netherlands who made the journey and stayed in the city (often for years, sometimes decades) were: Jan Gossart, Jan van Scorel, Pieter Coecke van Aelst, Maarten van Heemskerck, Bartholomeus Spranger, Denijs Calvaert, and Paul Bril. They were accompanied by sculptors, including Niccolò Pippi from Arras, Gillis van den Vliete, Jacques Du Broeucq, and his …
https://en.wikipedia.org/wiki/Flemish_Baroque_painting
Flemish Gallery and art collection paintings have been interpreted as a kind of visual theory of art. Such paintings continued to be made in Antwerp by Gerard Thomas (1663–1721) and Balthasar van den Bossche (1681–1715), and foreshadow the development of the veduta in Italy and the galleries of Giovanni Paolo Pannini .
https://www.britannica.com/art/Flemish-art
From Hubert and Jan van Eyck through Pieter Bruegel the Elder to Peter Paul Rubens, the Flemish painters were masters of the oil medium and used it primarily to portray a robust and realistically detailed vision of the world around them.
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/flemish-painting-in-the-northern-renaissance/
Key Points. The three most prominent painters during this period, Jan van Eyck, Robert Campin, and Rogier van der Weyden, were known for making significant advances in illusionism, or the realistic and precise representation of people, space, and objects. The preferred subject matter of the Flemish School was typically religious in nature, and the majority of the work was presented as panels, usually in the …
https://www.italian-renaissance-art.com/Northern-Renaissance-Art.html
Other notable artists of this early period are Rogier van der Weyden and Hugo van der Goes. Van der Weyden had visited Italy but his art remained true to the Flemish style, he followed Van Eyke in the service of the Court of Burgundy. Van der Goes was also typically Northern in his approach to painting, however, his work was much admired in Italy.
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