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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
304 HAL FOSTER THE ARTIST AS ETHNOGRAPHER?305 medm absorb everything in pure malevolence (indeed we know they cannot). Rather my concern is with the shhral &ch of the realist assumption in political, here quasi-anthropologicd, art, in particular with its siting of political truth in a projected alrerity. I mentioned the problem of automatic coding of artists I&-A+vis
http://csmt.uchicago.edu/annotations/fosterartist.htm
Chapter 6 of his book, “The Artist as Ethnographer,” deals specifically with what Foster dubs the “ethnographic turn” in art of since the 1960s. Foster’s argument is in part guided by his opening reference to Walter Benjamin’s “The Artist as Producer.”
https://www.scribd.com/document/319151568/Foster-Hal-1995-The-Artist-as-Ethnographer-pdf
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https://www.academia.edu/1158324/The_artist_as_surgical_ethnographer_Participant_observers_outside_the_social_sciences
Art historian, Hal Foster (1996), criticises artists’ utilisation of ethnographic practice in the influential essay, The artist as ethnographer. Foster (1996: 181) believes artists identify as ethnographers through 6 their ‘struggle’ for the cultural and/or ethnic other and argues that they are wanting to appropriate anthropology’s ...
https://uditis.blogspot.com/2010/07/reading-hal-foster-artist-as.html
Jul 19, 2010 · Reading: Hal Foster: The Artist as Ethnographer Some Key Points: Assumption that the site of artistic transformation is the site of political transformation. this site is always located elsewhere.
https://tnedrandolph.blogspot.com/2011/04/response-to-hal-fosters-artist-as.html
Apr 13, 2011 · One of our readings this semester was by Hal Foster whose 1996 essay, "Artist as Ethnographer" criticized the practice of artists acting as quasi-anthropologists. He appears particularly concerned with site-specific art that acts in critique of its surroundings -- and often fails to truly digest its surroundings before forming its critique.
https://pdflibrary.wordpress.com/2008/02/12/foster-the-artist-as-ethnographer/
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https://ivypanda.com/essays/decoloniality-in-art-and-artist-as-ethnographer/
The majority of Foster’s arguments are based on the necessity to compare the political and cultural backgrounds of artists and clarify the reasons for why the idea of the aestheticisation of fascism was transformed in the necessity to capitalise culture so that an artist has to be considered as an ethnographer.
https://www.emmakatewilson.net/articles/how-do-artists-use-reverse-ethnography-to-reflect-identity-within-post-colonialist-objectivity/
[2] Hal Foster, ‘The Artist as Ethnographer,’ The Return of the Real, Cambridge, Mass. & London: The MIT Press, 1996, pp.199 [3] Michel Foucault, The Foucault Reader. Ed. Paul Rabinow. New York: Pantheon. 1984 [4] Foster, op. cit. pp.197 [5] ibid [6] Stuart Hall, Encoding and decoding in the television discourse. Birmingham West Midlands ...
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