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https://americanart.si.edu/artist/j-fred-woell-5848
J. Fred Woell was told by the art galleries of New York to “ use gold or forget it.”. The artist felt strongly that material should not determine a work’s value, and so began to create “ anti-jewelry.”. He explores themes of consumerism and violence in his humorous assemblages of discarded objects.Born: Feb 04, 1934
https://www.craftcouncil.org/post/remembering-j-fred-woell
Apr 07, 2015 · Known for his found-object assemblages, Woell created thought-provoking jewelry that incorporated the artist's unique take on political and social satire. He was 81 years old. Born in 1934 in Evergreen Park, Illinois, Woell earned a degree in economics in 1956 from the University of Illinois at Urbana-Champaign (UIUC) before serving two years in the United States Army.
https://www.kanelewis.com/about-2
a FEATURE documentary by Richard Kane with Robert Shetterly about the history and significance of this metalsmith, jeweler and political artist. J. Fred Woell: An American Vision (2017, 51 min) captures the essence of a political artist who believed deeply in the power of the creative spirit. In 1965 J. Fred Woell took his cast silver jewelry to New York City galleries and was turned down flat.Location: 189 Rope Ferry Road Sedgwick, ME, 04676 United States
https://en.wikipedia.org/wiki/J._Fred_Woell
James Frederick Woell, born in Evergreen Park, Illinois in 1934, was an American metalsmith who specialized in found object assemblages in his metal work. He received a degree in economics from the University of Illinois at Urbana-Champaign in 1956 and would later serve in …Authority control: ISNI: 0000 0000 4986 5479, …
https://www.metalmuseum.org/post/2018/04/19/inside-the-collection-j-fred-woell
Apr 20, 2018 · Fred Woell pioneered the concept of using found objects and cast offs-and was into recycling long before that term was part of our vocabulary. Believing that jewelry should be displayed as art and not tossed to the back of the drawer when not worn, Fred designed and constructed wall mounts and stands that integrated beautifully with each piece.Author: Brooke Garcia
https://artjewelryforum.org/articles-series/in-memory-of-j-fred-woell
Apr 02, 2015 · Born February 4, 1934, Evergreen, Illinois Died April 2, 2015, Deer Isle, Maine Today we make jewelry and wearable art from any material that we choose, but it was J. Fred Woell who in the 1960s broke the rules and paved the way for art jewelers. Fred pioneered the concept of using found objects and cast-offs and was into recycling long before that term was coined.
https://theturtlegallery.com/section/282700_J_Fred_Woell.html
Maine artist J. Fred Woell received a BFA in Art Education and a BS in Economics from the University of Illinois, an MS and an MFA in Art Metals from the University of Wisconsin and and MFA in Sculpture from Cranbrook Academy of Art.
https://whitewaterbanner.com/j-fred-woell-an-american-vision-the-life-and-times-of-jeweler-and-political-artist/
Nov 02, 2018 · J. Fred Woell: An American Vision captures the essence of this jeweler who made wearable art with a political message. a political artist who believed deeply in the power of the creative spirit. As a patriot, he had profound beliefs in our democratic ideals yet saw the flaws in our politics.
https://www.kickstarter.com/projects/818742863/j-fred-woell-an-american-vision-a-pioneer-of-metal
Apr 13, 2015 · Get a wonderful ORIGINAL pendant by J. FRED WOELL, your name in the credits as Co-Producer, TWO DVDs, a “Fred Head” designed by friend/artist Sarah Doremus and a catalog of Fred’s exhibition, J. Fred Woell: Art is an Accident. You'll also get a thank you postcard from Fred and and we'll keep you posted on all premieres and screenings.Location: Deer Isle, ME
http://maineartsjournal.com/j-fred-woell-an-american-vision-summer-2017-draft/
J. Fred Woell, “Come Alive, You’re in the Pepsi Generation” mixed media pin, 4″ x 4 1/2″ x 5/16″, 1966 Simply using the materials that Fred did was a subversive act. Take Glenn Adamson, former director of the Museum of Art and Design, who discusses in the film how jewelry has traditionally marked a person as being wealthy.
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