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https://www.ngv.vic.gov.au/essay/the-art-of-frederick-mccubbin-a-view-of-his-materials-and-technique/
A knowledge of the techniques and materials used by Frederick McCubbin throughout his career, together with a careful examination of the artist’s paintings, reveals McCubbin’s late work to be as technically complex and fastidiously constructed as his early work. The apparent spontaneity of the paintings is misleading.
https://www.wikiart.org/en/frederick-mccubbin
In 1907, the artist traveled to Europe, where he saw many paintings that he long admired through reproductions. After his return from Europe, McCubbin developed his mature style that became more akin to Impressionism. His brushwork became looser and more expressive, as evident in paintings like Violet and gold and Collins Street (ca. 1915). In these paintings, his chief concern was depicting varying …Birth place: Melbourne, Australia
https://www.artgallery.nsw.gov.au/collection/artists/mccubbin-frederick/
McCubbin was president of the Victorian Artists’ Society from 1893 to 1896 and moved to Mt Macedon in 1900, a subject which would feature in many of his later works, including Landscape c1914, which evokes the ‘grey brown gold gums and opalescent sky’ of the region he describes in a letter to Roberts in 1903. McCubbin held several solo exhibitions in Melbourne from 1904 to 1907 before travelling to France and England, where he encountered the paintings …
http://www.freemanart.ca/McCubbin.htm
Frederick McCubbin. Australian. (1855 – 1917) A biography of Fred McCubbin is not necessary here as it is covered admirably by other commentators. But as history tells us, with his friends and contemporaries that made up the Heidelberg School of Australian Impressionism, Frederick McCubbin would join with their plein-air painting expeditions into the wilds and surrounds of Melbourne, creating a unique and …
https://www.menziesartbrands.com/blog-post/38-frederick-mccubbin
Rural labour with a nationalist ethos has been a dominant theme in Australian art and literature from the mid-nineteenth century on. The art of Frederick McCubbin was at the forefront of these investigations; his fascination with epic narrative paintings of white settlement in Australia produced many revered works including Down on his Luck 1889 (Art Gallery of Western
https://www.wikiart.org/en/frederick-mccubbin/violet-and-gold-1911
Frederick McCubbin’s Violet and Gold (1911) is representative of the artist’s mature style. While his colleagues Tom Roberts, Charles Conder, and Arthur Streeton produced their greatest works in the 1880s and 1890s, McCubbin reached his artistic peak in the early years of the 20th century. We can partially attribute it to McCubbin’s five-month trip to Europe in 1907, where he saw for the ...Artist: Frederick McCubbin
https://www.smh.com.au/culture/art-and-design/what-the-girl-saw-a-mccubbin-that-sat-beside-a-masterpiece-20210304-p577sf.html
In a 1904 exhibition, Frederick McCubbin revealed The Pioneer, amid a revolution in Australian art. The painting that hung next to it is about to go to auction.
https://mccubbinfamily.info/history/frederick-mccubbin/
Frederick McCubbin was inspired to paint and capture forever the Australian bush as in The Pioneer (below), depicting a courageous young couple making a new start in a harsh land. “A number of McCubbins paintings were of the Australian bush. He preferred melancholy or even tragic themes, and settings which emphasize the tones of the landscape.
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