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http://ifacontemporary.org/moved-by-the-grandeur-of-ancient-ruins/
I’m referencing Henry Fuseli’s famous drawing The Artist Moved by the Grandeur of Ancient Ruins also known as The Artist in Despair before the Magnitude of Antique Fragments, 1778-80 from the collection of the Kunsthaus Zürich.
https://quizlet.com/134771705/romanticism-flash-cards/
Artist moved by the grandeur of ancient ruins 1778-80. Over dramatic, eccentric, fall of roman empire, pessimism, how can something so big crumble, Henry Fuseli The Nightmare 1781. sensual, existential angst, irrational response to sublime, out of body experience, feral instinct supressed, animalistic, psychosensual eroticism, over sensational,
http://www.artandpopularculture.com/The_Artist_Moved_by_the_Grandeur_of_Ancient_Ruins
The Artist's Despair Before the Grandeur of Ancient Ruins (German: Der Künstler verzweifelnd vor der Grösse der antiken Trümmer) is a drawing in red chalk with brown wash executed between 1778-1780 by Johann Heinrich Füssli.It shows a seated figure mourning beside the colossal hand and foot, part of a statue, namely that of the Colossus of Constantine at the Capitoline Museums in Rome.
https://www.wga.hu/html_m/f/fuseli/02antiqu.html
The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art.
https://quizlet.com/164199758/art-history-flash-cards/
Henry Fuseli The Artist Moved to Despair before the Grandeur of Ancient Ruins, 1778-1780, chalk and watercolor on paper Sublime Neoclassicism. Étienne-Louis Boullée Project for the National Library 1785, ink on paper little people, huge space sublime Neoclassicism.
https://hist1039-16.omeka.fas.harvard.edu/exhibits/show/rise-and-fear/item/63
Henry Fuseli, "The artist moved to despair at the grandeur of antique fragments (drawing), 1778–79, Kunsthaus, Zurich.
https://jennydavidson.blogspot.com/2017/07/the-artist-moved-to-despair.html
Fuseli, "The artist moved to despair before the grandeur of ancient ruins" (1778-79) ()From Catherine Edwards, Writing Rome: Textual Approaches to the City: “The nature of the artist’s despair remains open.Is it provoked by the impossibility of emulating the greatness of the past, still overwhelming even in ruins?
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