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https://www.theartstory.org/artist/segal-george/
While other Pop artists (Warhol, Lichtenstein, Oldenburg and others) focused on logos, labels, advertisements, and other mass-produced products, Segal engages directly with the psychology of the consumer. His figures provide a window onto the human condition in a way that sets them apart from other Pop art inventions.Nationality: American
http://www.segalfoundation.org/about_bio.html
The path from painting to sculpture and the specific form of the sculpture is embodied in a series of events from the late 1950s. In 1956, Segal was introduced to the Hansa Gallery and its’ artistic influence. The following year, Allan Kaprow chose the Segal farm as the scene of his first Happening – live art with an environmental sensibility.
https://www.encyclopedia.com/people/literature-and-arts/american-art-biographies/george-segal
SEGAL, George (b. 26 November 1924 in New York City; d. 9 June 2000 in South Brunswick, New Jersey), sculptor and painter who placed plaster casts made from live models within real environments.Segal was the younger son of Jacob Segal, a butcher and chicken farmer, and Sophie Gerstenfeld Segal. He attended Public School 70 in the Bronx and Stuyvesant High School, a public …
https://www.theartstory.org/artist/segal-george/artworks/
Jun 09, 2000 · A strong example of Segal's brilliance as a designer of memorials, this once controversial work is now one of the most revered monuments in New York City. Bronze, steel, and white lacquer - Christopher Park, New York, New York
https://www.mentalfloss.com/article/50703/10-artists-influenced-edward-hoppers-nighthawks
May 22, 2013 · George Segal, The Diner (1964-1966) Image courtesy Walker Art Center Pop artist George Segal adapted the same process used to make orthopedic casts to …
https://momentmag.com/jewish-sculpture-george-segals-installation-of-abrahans-farewell-to-ishamel/
Jewish sculpter George Segal's installation of "Abrahan's Farewell to Ishamel" is composed of life-size, free-standing, almost dreamlike figures, Segal’s sculptural tableau presents plaster casts of Abraham, Ishmael, Hagar and Sarah arranged on the bare floor of the museum against the background of a looming rock formation.
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