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George Tiessen National Gallery of Canada

    https://www.gallery.ca/collection/artist/george-tiessen
    The National Gallery of Canada is home to the world’s most comprehensive collection of Canadian art. George Tiessen National Gallery of Canada Skip to main content

Tiessen, George W. (b. 1935)

    https://collectionlegacy.uvic.ca/index.php?artist_id=486&artist_action=info
    Tiessen, George W. (b. 1935) Cultural Group : George Tiessen is a painter and printmaker whose work in the 1970s and ‘80s often reflected an interest in landscape themes and imagery. He has described past work as being “of no ‘one particular place,’but could be best described as …100%(2)

Cleavage National Gallery of Canada

    https://www.gallery.ca/collection/artwork/cleavage
    George Tiessen, Cleavage, 1965, pen and black ink on wove paper, 66.5 x 51.1 cm, National Gallery of Canada The National Gallery of Canada is home to the world’s most comprehensive collection of Canadian art.

U989.8.6 - Pear Orchard

    http://collection.legacy.uvic.ca/index.php?id=3703&artifact_action=info
    Artist / Maker : Tiessen, George W. Title : Pear Orchard Date (Execution) : 1988/02/19 Geographical Origin : British Columbia, Canada Cultural Group : Style / Period : Western Modern 1900-1950 Medium / Material : Etching Support / Technique : paper ...

U978.4.3 - Landscape II

    https://collectionlegacy.uvic.ca/index.php?id=25118&artifact_action=info
    Artist / Maker : Tiessen, George W. Title : Landscape II Date (Execution) : 1971 Geographical Origin : British Columbia, Canada Cultural Group : Style / Period : Contemporary 1950 - Medium / Material : Serigraph Support / Technique :

L988.1.2 - Untitled (Abstract Landscape)

    http://collection.legacy.uvic.ca/index.php?id=171&artifact_action=info
    Artist / Maker : Tiessen, George W. Title : Untitled (Abstract Landscape) Date (Execution) : 1972 Geographical Origin : British Columbia, Canada Cultural Group : Style / Period : Western Modern 1900-1950 Medium / Material : Serigraph

Josh Tiessen Art

    https://www.joshtiessen.com/art
    Since 2014 Tiessen's work has taken an innovative approach, breaking out of the traditional quadrilateral format to shaped paintings. This allows the subject matter to dictate the shape of the painting, sometimes literally like the basketball backboard of Defending The Paint, or subtly like the diamond shape of the compass in The Wood Between The Worlds.

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