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https://germanexpressionismleicester.org/story-of-expressionism/expressionist-groups/die-bruecke-(the-bridge)/
They were: Ernst Ludwig Kirchner (1880-1938), Erich Heckel (1883-1970), Karl Schmidt-Rottluff (1884-1976) and Fritz Bleyl (who left shortly afterwards). The group was later joined by Max Pechstein (1881-1955), Otto Mueller (1874-1930) and Emil Nolde (1867-1956). Their name symbolised the’ bridge’ over which they would cross to the art of the future, a title derived in part from their admiration for the …
https://en.wikipedia.org/wiki/Die_Br%C3%BCcke
Die Brücke ( The Bridge) was a group of German expressionist artists formed in Dresden in 1905. Founding members were Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. Later members were Emil Nolde, Max Pechstein and Otto Mueller. The seminal group had a major impact on the evolution of modern art in the 20th century and the creation of expressionism.
https://www.radford.edu/rbarris/art428/Bridge%20to%20Utopia.html
Nietzsche expressed the idea that became the source of the name for one sector of expressionis: the artists who grouped together under the name of Die Brücke, or the Bridge. Nietzsche wrote that "what is great in man is that he is a bridge and not a goal: what can be …
http://www.artnet.com/artists/erich-heckel/biography
Erich Heckel (German, 1883–1970) was a painter, and one of the founders of the German Expressionist group Die Brücke (literally, the bridge ). During the early 1900s, Heckel and other members of Die Brücke sought to create a link between the work of Edvard Munch and the modern Expressionist paintings. Other founding members of the group included Fritz Bleyl, Ernst Ludwig Kirchner, and Karl Schmidt-Rottluff.Nationality: German
https://www.theartstory.org/movement/die-brucke/
Summary of Die Brücke. Progenitors of the movement later known as German Expressionism, Die Brücke formed in Dresden in 1905 as a bohemian collective of artists in staunch opposition to the older, established bourgeois social order of Germany.Their art confronted feelings of alienation from the modern world by reaching back to pre-academic forms of expression including woodcut prints, carved ...
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