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https://h2o.law.harvard.edu/cases/4446
Gershwin Publishing Co. v. Columbia Artists Management, Inc., 312 F.Supp. 581 (S.D.N.Y.1970). We affirm. The relevant facts and circumstances out of which the issue of law has arisen are the following. CAMI engages in two business enterprises. One of them is acting as manager for concert artists, including booking them with professional impressarios.
https://law.justia.com/cases/federal/district-courts/FSupp/312/581/1468873/
312 F. Supp. 581 (1970) GERSHWIN PUBLISHING CORPORATION, Plaintiff, v. COLUMBIA ARTISTS MANAGEMENT, INC., and Community Concerts, Inc., Defendants. No. 65 Civ. 2087. United States District Court, S. D. New York. April 21, 1970. Herman Finkelstein and Paul, Weiss, Goldberg, Rifkind, Wharton & Garrison, New York City, for plaintiff. Jerome H. Adler, New York City, for defendants.
https://h2o.law.harvard.edu/cases/4446/export
Gershwin Publishing Co. v. Columbia Artists Management, Inc., 312 F.Supp. 581 (S.D.N.Y.1970). We affirm. The relevant facts and circumstances out of which the issue of law has arisen are the following. CAMI engages in two business enterprises. One of them is acting as manager for concert artists, including booking them with professional impressarios.
https://law.justia.com/cases/federal/appellate-courts/F2/443/1159/246268/
In this test litigation CAMI concedes that on January 9, 1965 concert artists managed by it performed "Bess, You Is My Woman Now" publicly for profit at a concert sponsored by the Port Washington Community Concert Association without the permission of plaintiff Gershwin Publishing Company, the copyright proprietor, and that the performing artists and local association are, therefore, liable for …
https://openjurist.org/443/f2d/1159/gershwin-publishing-corporation-v-columbia-artists-management-inc
In this test litigation CAMI concedes that on January 9, 1965 concert artists managed by it performed "Bess, You Is My Woman Now" publicly for profit at a concert sponsored by the Port Washington Community Concert Association without the permission of plaintiff Gershwin Publishing Company, the copyright proprietor, and that the performing artists and local association are, therefore, liable for …
https://www.courtlistener.com/opinion/297181/gershwin-publishing-corporation-v-columbia-artists-management-inc-and/
In this test litigation CAMI concedes that on January 9, 1965 concert artists managed by it performed 'Bess, You Is My Woman Now' publicly for profit at a concert sponsored by the Port Washington Community Concert Association without the permission of plaintiff Gershwin Publishing Company, the copyright proprietor, and that the performing artists and local association are, therefore, liable for …
https://www.vondranlegal.com/what-is-contributory-copyright-infringement
Gershwin Publishing Corp. v. Columbia Artists Management, Inc., 443 F.2d 1159, 1162 (2d Cir.1971). There must be “substantial” contribution Where a defendant has knowledge of the primary infringer's infringing activities, it will be liable if it “induces, causes or materially contributes to the infringing conduct of” the primary infringer.
https://en.wikipedia.org/wiki/Contributory_copyright_infringement
The ingredients of contributory infringement were laid down in the Second Circuit Court of Appeals decision in Gershwin Publishing Corp v Columbia Artists Management Inc. in which the court said that contributory infringement is said to happen when someone, with knowledge of the infringing activity, induces, causes, or materially contributes to the infringing conduct of another.
https://www.law.cornell.edu/wex/vicarious_infringement
Concession Services, Inc., 955 F.2d 1143 (C.A.7 1992); Gershwin Publishing Corp. v. Columbia Artists Management, Inc., 443 F.2d 1159 (2d Cir. 1971). The concept of vicarious infringement has taken on new importance in the context of the Internet.
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