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https://www.britannica.com/biography/John-Heartfield
John Heartfield, original name in full Helmut Franz Josef Herzfeld, (born June 19, 1891, Berlin, Germany—died April 26, 1968, East Berlin, East Germany), German artist best known for his agitprop photomontages —collages of text and imagery found in mass-produced media—and his role in the development of the Dada movement in Berlin.
https://www.britannica.com/biography/George-Grosz
George Grosz, (born July 26, 1893, Berlin, Ger.—died July 6, 1959, West Berlin, W.Ger. [now in Berlin]), German artist whose caricatures and paintings provided some of the most vitriolic social criticism …
https://prabook.com/web/george.grosz/1110033
George Grosz was a German artist whose caricatures and paintings provided some of the most vitriolic social criticism of his time. He became deeply involved in left wing pacifist activity, publishing drawings in many satirical and critical periodicals and participating in protests and social upheavals.
https://www.johnheartfield.com/John-Heartfield-Exhibition/john-heartfield-art/berlin-dada-artists-grosz-heartfield
This portrait of Berlin Dada artist John Heartfield could encapsulate the energy, anger, passion, and spirit of German Dada and the artists of Berlin, 1916-1920. If artists such as Grosz, Höch, and Hausmann were the mind of Dada, Heartfield represented its fervent emotions.Estimated Reading Time: 6 mins
https://www.worldcat.org/identities/lccn-n50032968/
Grosz/Heartfield, the artist as social critic : October 1-November 8, 1980, University Gallery, University of Minnesota by University of Minnesota (Book) 8 editions published in 1980 in English and held by 231 WorldCat member libraries worldwide 1001 afternoons in New York by Ben Hecht (Book)
https://www.peoplesworld.org/article/the-anti-fascist-art-of-otto-dix-and-george-grosz/
Jul 11, 2019 · The kaleidoscopic simultaneousness of objects in the visual world of George Grosz uses futuristic pictorial techniques for satirical social criticism. Grosz composes his …
https://arthistoryunstuffed.com/german-artists-in-the-aftermath-of-the-great-war-part-one/
Feb 17, 2017 · After Georg became “George” and Groß became “Grosz,” both Heartfield and Grosz found new identities as political artists and as social critics. But being against the war did not prevent Grosz being recalled to the Army, and his reactions to confinement within …
https://www.theartstory.org/artist/heartfield-john/
Heartfield's name is synonymous with his 1930s antifascist photomontages. He became known for his one-man battle against Hitler due to his concentrated critique of this dictator as a liar, backed by the big industrialists. Montage, for Heartfield, was a vernacular art form, readily used for propaganda and commercial purposes.
https://artsartistsartwork.com/john-heartfield-anti-nazi-artist/
By Michael Faris The photomontage artist John Heartfield is best known for his very public artworks that belittled and disparaged the actions of the Nazi party in 1930s Germany. As a poster fabricator and artist for AIZ magazine, his anti-Nazi artwork …
https://core.ac.uk/download/pdf/228638370.pdf
4 Beth Irwin Lewis, “Grosz/Heartfield: The Artist as Social Critic,” in Grosz/Heartfield: The Artist as Social Critic, October 1 – November 8, 1980 (Minneapolis: University Gallery, 1980), 27. 5 Bruce Murray, Film and the German Left in the Weimar Republic: From Cagliari to Kuhle Wampe (Austin, TX: University of Texas Press, 1990), 52.
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